5x13 - Your Wish Is My Command

[Prue Brianna Johnna Halliwell]

DESTINED

SEASON 5, EPISODE 13

'YOUR WISH IS MY COMMAND'


TEASER

OVER BLACK.

FADE IN:

INT. UNDERWORLD - ARMAND’S PRIVATE CAVE - NIGHT

It is dark, we don’t see clearly. There’s a round bed, there are mirrors on the walls.

ON THE BOTTON OF THE BED - Red bedsheets. The sheets move. It’s clear that there are two people under the bedsheets.

SOUND - MAN AND WOMAN'S MOAN.

THE CAMERA MOVES SLOWLY FROM THE BOTTOM OF THE BED TO THE TOP. Armand is on top of Jessica kissing her passionately. She enjoys it and curiously seems not pregnant. He kisses her neck as she smiles.

JESSICA

I must confess, I’ve missed this.

Armand stops kissing her and stares at her in the eyes. Jessica stares back at him.

ARMAND

I thought you were on the good side now, Jess. Are you being a bad girl?

She smiles. Armand gets off her and lies next to her.

ARMAND (CONT'D)

I guess the fake belly gave you away.

Jessica looks at him.

JESSICA

I had to.

ARMAND

You never hid your crush on him. I never thought he would end up marrying you.

(laughs)

Only if he knew that we had tons of sex back when you two were dating.

Jessica smiles.

ARMAND (CONT'D)

Why the fake pregnancy?

Jessica turns to her left side and stares at him. Armand turns his face to her.

ARMAND (CONT'D)

Are there troubles in paradise?

Jessica is serious.

JESSICA

I had to. And no, there isn’t.

ARMAND

Then why aren’t you pregnant for real?

JESSICA

It hasn’t happened. I have to keep Wyatt with me.

ARMAND

So, there are troubles in paradise.

JESSICA

He’s mine.

ARMAND

He’s a good witch, Jessica. Does he know who you are?

JESSICA

He believes I am a witch. A good witch.

ARMAND

So, all these years you’ve been hiding your demonic powers? You’re a Warlock slash Demon. In your blood, there’s not a single drop of good. Your brother had to run to not be killed. Where’s him by the way?

JESSICA

Why do you care? Look, Armand, I’m not here to discuss my relationship with Wyatt. He’s good, I’m not. I love him and I want to keep him married to me. But I need someone out of the way and fast.

ARMAND

I thought the fake pregnancy would do the trick.

JESSICA

It has worked, indeed, but I can’t stay pregnant forever. I need you to help me on that.

ARMAND

What do you want me to do? Find you a baby?

JESSICA

(smiles)

I’ve found it already. It’s not born yet.

Armand frowns.

JESSICA (CONT'D)

Prue is expecting two. She doesn’t need the two of them, so, I can take one of them for me.

ARMAND

Prue? You mean ---

JESSICA

The eldest Charmed One, yes.

ARMAND

You’re messing with danger, Jess.

JESSICA

Aren’t you messing with danger as well? I know you want to become the ruler down here. The Source. For that to happen, you need to take them out of the way. That will give you some credit.

They stare at each other.

JESSICA (CONT'D)

Help me and I help you.

Armand is serious.

JESSICA (CONT'D)

I need her alive just until she gives birth. I keep one of the babies, and you can kill her and the other baby. Don’t really care.

They stare seriously at each other.

JESSICA (CONT'D)

What do you say, Armand? Are we partners?

Armand pulls her towards him and kisses her passionately.

CUT TO:

EXT. RIYADH (SAUDI ARABIA) - NIGHT

VIEW AT PENTHOUSE.

CUT TO:

INT. PENTHOUSE - OWNER’S OFFICE - NIGHT (RIYADH - SAUDI ARABIA)

A man has his hands tied up. His expression shows fear. He’s staring at two demons who are looking for something in the office.

MR. HASSAN

Take whatever you want, but please don’t hurt my family.

OFF TO ALEXIA - She comes in wearing a provocative gown.

ALEXIA

Don’t worry, Mr. Hassan. Your family is okay so far. We just want to find the most precious object you own and, then we’ll leave.

(to the demons)

Check that cabinet in the wall.

There is a large cabinet in the wall with double doors. The demons head to it and try to open it.

DEMON #1

It’s closed.

ALEXIA

You are demons. Destroy it!

ON THE WALLS ARE A PAIR OF ANCIENT AXES. Demon #1 heads towards it and takes one of them from the wall. Then he walks towards the canine and hits the door handles with the ax. Soon, the double doors open.

A strong light comes from within the cabinet. There are several objects inside. Alexia’s face lightens when she sees what she’s looking for. The demons step aside as Alexia walks towards it.

CLOSE UP - AN ANCIENT GENIE LIGHT LAMP. Looks very similar to the ones we saw in the story of Aladdin. It’s made of gold and embossed with a floral design.

MR. HASSAN

(nervous)

No! You can’t take it. It is dangerous. You should not mess with it.

Alexia takes the lamp carefully from the shelf she’s placed in the center of the cabinet. Slowly she turns around.

MR. HASSAN (CONT'D)

(fearful)

That object can’t get into the wrong hands.

Alexia contemplates the lamp and smiles.

ALEXIA

Believe me, Mr. Hassan, the hands are not the matter. What people wish is what should matter.

ON ALEXIA - She smiles big.

CUT TO BLACK.

END OF TEASER

[Prue Brianna Johnna Halliwell]

Cast

Starring

Wes Ramsey as Wyatt Halliwell

Drew Fuller as Chris Halliwell

Sophia Bush as Prue B. J. Halliwell

Blake Lively as Melinda Halliwell

Leighton Meester as Charlotte Halliwell

Victoria Justice as Cassandra Halliwell

Chace Crawford as Henry Mitchell Jr.

Misha Barton as Tamora and Pandora Mitchell

Recurring

Matt Bomer as Damon

Marisol Nichols as Bianca

Katie Cassidy as Melissa

Guest Starring

Laura Vandervoort as Jo

Matthew Daddario as Jared Lare

Alexandra Daddario as Jessica Lare

Chris Wood as Ethan

Robbie Kay as Alex

Jennifer Morrison as Ella

Peter Facinelli as Sebastian

Dove Cameron as Michaela

Stephen Amell as Johnathan

Jay Ryan as Armand

Marie Avgeropoulos as Alexia

Alyssa Capriotti as Rae

Tala Ashe as Salima

Kaya Scodelario as Loreto / Angel of Death

Mckenna Grace as 11 Years Old Christina

Jacob Tremblay as 11 Years Old Matt

Mark Gagliardi as Mr. Hassan

Unknown actors and actresses as Demons

Unknown actors and actresses as Party Guests

Unknown babies as Baby Tina and Baby Matt

Created by

Constance M. Burge and Brad Kern (Charmed)

Sol (Destined)

Written and Edited by

Sol

Copyrights: Destined is a registered work and belongs to the writer Sol. Any copy or reproduction without permission is a crime punished by law.

[Prue Brianna Johnna Halliwell]

ACT ONE

OVER CREDITS.

OVER BLACK.

FADE IN:

EXT. SAN FRANCISCO - DAY - MONTAGE OF IMAGES - THE NEXT DAY

MUSIC PLAYING: ‘GENIE IN A BOTTLE’ by Dove Cameron.

IN EXTREME SLOW MO - We see images all over San Francisco. People leaving their houses to work… Moms and dads taking their kids to school… Taxis taking people to their destination… Students arriving in their schools… The Golden Gate Bridge is crowded with cars…

CUT TO:

INT. MELISSA’S APARTMENT - KITCHEN - DAY

MUSIC KEEPS PLAYING IN THE BACKGROUND.

Junior is there. He is shirtless, only wearing black jeans. He is making breakfast. He seems to be in a good mood.

OFF TO MELISSA - She comes into the kitchen wearing a male shirt, probably Junior’s shirt. She stops at the entrance and stares at Junior. A big smile shows up on her face as she looks him up and down. She bites her lower lip.

MUSIC FADES OFF.

MELISSA

Five months without sex and I’m having a gift from the Gods?!

Junior turns around and smiles. He walks towards her and pulls her into his arms. They kiss passionately. Moments later, they pull back.

JUNIOR

You earned it.

Both of them smile. Junior signs her to sit and he takes some plates and puts them on the table.

MELISSA

I’ve missed so much of your blueberries pancakes.

JUNIOR

(sitting next to her)

Do you know who got used to them?

Melissa has a taste of her pancakes.

JUNIOR (CONT'D)

Mom.

MELISSA

All those pancakes you made me and I refused?

Junior nods.

JUNIOR

I took them back, but couldn’t eat them. She enjoyed it.

Melissa smiles. Junior is about to have a mouthful of his pancakes when ---

SOUND - BELLS.

Junior hears the sound of the bells.

JUNIOR (CONT'D)

Crap.

MELISSA

What is it?

Junior puts the fork down.

JUNIOR

The Elders.

MELISSA

Where?

Melissa glances around.

JUNIOR

In my head.

Melissa stares at him.

MELISSA

What do they want?

JUNIOR

Bite me. I have no idea. Maybe a charge. It’s been a while since I had a charge.

MELISSA

Can’t they wait?

SOUND - BELLS.

Junior shakes his head.

JUNIOR

I don’t think so.

Junior sighs.

JUNIOR (CONT'D)

I’m gonna need my shirt though.

Melissa glances down at the shirt she’s wearing. Then she looks back a Junior.

MELISSA

Take it off of me.

Melissa gives him a roguish look and stands.

JUNIOR

They don’t like to be kept waiting.

MELISSA

Neither do I.

Melissa leaves the kitchen smiling. Junior smiles and nods.

SOUND - BELLS.

JUNIOR

I’m listening!

Junior stands and leaves the kitchen.

CUT TO:

INT. PRUE’S CONDO - MAIN BEDROOM - DAY

ON A BOARD - There we can see a lot of information about past events such as: Jannes? - Dead, Gadreel? - Didn’t leave his cage, Ignatius? - Dead, Leah? - Dead, Conrad? - Never met him,… In the middle of the board, there’s a question in big fonts. It reads:

WHAT HAPPENED?

There are also some photos of a few people: Nate, Ella, Jessica, baby Andrew…

Prue stands in front of the board staring at it. She’s wearing a soft blue dress. She rests her arms on her belly.

BIANCA (O.S.)

Prue?

Prue turns around as Bianca comes into the bedroom. Bianca has big circles under her eyes.

PRUE

Hey! Didn’t hear you coming in.

BIANCA

I stayed in last night. I shimmered in ---

Bianca glances at the board.

BIANCA (CONT’D)

--- my bedroom after P3. What the hell is that?

Prue feels a kick.

PRUE

(mad)

B!

BIANCA

Did they hear me?

Prue nods.

PRUE

These twins are very sensitive to bad words. If only they were not that evil back when Ruby turned me into the Queen of All Evil.

Bianca stares at her.

BIANCA

I wish I had memories of that, but I don’t. What is that?

Prue glances at the board, then she glances back at Bianca.

PRUE

It’s easier for me to put all the events that happened in a different way than the real ones on the board so I can look at them.

BIANCA

Nate could ---

PRUE

He’s not here.

BIANCA

It’s taking him long to come back.

PRUE

Yeah, well, I would be lying if I said I miss him. Anyway, ---

(pauses)

--- all of them have one thing in common. They were vanquished.

BIANCA

Okay. What don’t they have in common?

PRUE

The ‘who’ vanquished them. In real life, they were vanquished by one of us, several of us, or the collective Power of Nine.

BIANCA

But here, in this reality, they weren’t.

Prue nods.

BIANCA (CONT’D)

Who vanquished them then?

PRUE

No idea. There’s not even a page in the Book of Shadows about Leah. My God, Leah was the first big threat we faced. She worked with the Shadow Witches.

BIANCA

Shadow Witches are the ones who tried to create a kind of Utopia, right?

PRUE

Correct. Oh, you worked for them too.

BIANCA

Right. I had the mission to get close to Chris and therefore, close to all of you.

PRUE

(smiles)

Nice. You’ve learned your lesson.

Bianca half-smiles. Prue notices something about her.

PRUE (CONT'D)

Are you okay, B?

Bianca looks at her and tries to disguise.

BIANCA

Yes, of course, I am.

PRUE

You and Chris?

BIANCA

Everything is okay between us, Prue. He went hunting last night, that’s why I slept here.

PRUE

Still, you look different. I mean, you seem tired but then there’s some light emanating from you.

BIANCA

That doesn’t make any sense, Prue. And yes, I’m tired, but I guess I’m gonna get better now that I have Michaela in the bar. Oh, and also Alex offered himself to work on a part-time basis.

PRUE

Great.

Something pops into her mind.

PRUE (CONT’D)

Alex!

BIANCA

What about him?

PRUE

I need to check his fake memories of how we met.

BIANCA

Well, good luck with that. I have a bar to run. Bye.

Bianca turns to leave.

PRUE

Take care.

Prue watches Bianca as she leaves the bedroom.

PRUE (CONT'D)

Something is happening to her.

(sighs)

Well, something is happening to all of us.

Prue turns around and looks at the board.

CUT TO:

INT. UNDERWORLD - ARMAND’S CAVE - DAY

Armand comes in followed by Alexia. Armand seems annoyed. Alexia has a happy air.

ARMAND

I hope you have a good explanation for your disappearance.

ALEXIA

I was taking care of an essential matter.

Armand turns to her with an inquisitive look.

ALEXIA (CONT'D)

You’ll thank me.

ARMAND

I’ll thank you for what?

Alexia smirks and then she claps her hands.

OFF too - Two demons come in carrying a wooden board horizontally. There’s something over the board covered with a red cloth.

ARMAND (CONT'D)

What’s that?

Alexia turns to the object and walks towards it.

ALEXIA

This will make it easy for you to get what you want.

Carefully, Alexia uncovers the object.

ON THE GENIE LIGHT LAMP - It shines.

Armand’s eyes pop open as his eyes set on the lamp. It’s not just astonishment, it’s admiration.

ARMAND

It’s that ---?

ALEXIA

A Magic Lamp.

Alexia takes it carefully and turns to Armand.

ALEXIA (CONT'D)

I got it for you.

Armand can’t keep his eyes off of the lamp.

ALEXIA (CONT'D)

They are rare. I’ve been trying to find this one for years. And now ---

Alexia reaches out her hands towards Armand, she wants to give him the lamp.

ALEXIA (CONT'D)

--- it’s yours.

Armand takes it in his hands. Carefully, he rubs it three times. A green smoke escapes out of the bottle. A female Genie appears. Her name is Salima (looks mid 30’s). She’s wearing a green and yellow genie jumpsuit with off-the-shoulder sheer yellow sleeves and thin green straps; gold accents on the bodice and attached yellow glitter ruffles on legs; matching green and yellow headpiece.

SALIMA

Salima at your service, Master. Your wish is my command!

Alexia and Armand exchange glances. Armand looks back at the genie and smirks.

CUT TO:

EXT. WHITMORE MANOR - DAY

VIEW AT THE MANOR.

TAMORA (V.O.)

SAUDI ARABIA?

CUT TO:

INT. WHITMORE MANOR - ENTRANCE - DAY

Tamora is on the phone at the same time she’s looking for her keys which she is holding with the same hand she’s holding the phone. She is on the phone with Junior and is amazed at what he’s telling her.

TAMORA

It’s been a long time since they assigned you to a charge and now they get you one in Saudi Arabia?

JUNIOR (V.O.)

Tell me about it! Anyway, can you take care of that for me?

TAMORA

I’ll go to the flower shop next to the museum. Sex was good last night, huh?

Tamora sighs as she cannot find the keys.

JUNIOR (V.O.)

Thank you, sis.

TAMORA

Bye, bro.

Tamora hangs off the phone.

OFF TO SEBASTIAN - He comes in wearing an elegant gray suit.

Sebastian stares at Tamora as she keeps trying to find the keys.

TAMORA (CONT'D)

Where the hell did I put those damn keys!

Now she looks mad.

SEBASTIAN

Someone is stressed out this morning, huh?!

Tamora turns to him.

TAMORA

I can’t find my keys.

SEBASTIAN

Your hands.

Sebastian points to her hands. They are still on the same hands she’s holding the phone. Tamora lowers down her gaze and sees the keys in their hands.

SEBASTIAN (CONT'D)

Losing the keys shouldn’t be a big matter once you can orb in and out as you wish.

Tamora looks at Sebastian as he approaches her and rubs her arms.

SEBASTIAN (CONT'D)

Relax.

Tamora breathes fast.

SEBASTIAN (CONT'D)

What’s happening?

Tamora sighs.

TAMORA

It’s that Egyptologist. He sent me an email last night and I just checked it earlier today.

SEBASTIAN

You are stressed because you didn’t see the email last night?

TAMORA

No, I’m stressed because he made several requests for the reception.

SEBASTIAN

Okay, email them to my PA and she’ll take care of it. The reception is not your responsibility, Tam.

TAMORA

I know, but ---

SEBASTIAN

(cuts her off)

But you need to relax.

Tamora nods.

TAMORA

Thanks.

Sebastian smiles and kisses her softly.

SEBASTIAN

I need to go Up There now.

TAMORA

Weren’t you going to the office today?

SEBASTIAN

I was, but something came up.

Tamora nods. Then Sebastian ORBS out. Tamora sighs.

TAMORA

A demon. I need to vanquish a demon today!

Tamora turns around and leaves.

CUT TO:

INT. PRESCOTT GROUP - CEO’S OFFICE - DAY

Johnathan is on the phone. Cassandra knocks on the door and opens it. Johnathan glances at the door and signs her to come in. She does and walks towards Johnathan’s desk.

JOHNATHAN

No, that’s not the case. We don’t need that strike so, arrange a meeting with them and listen to their claims. We’ll try to negotiate. Keep me updated.

Johnathan hangs off the phone. He stares at Cassandra.

JOHNATHAN (CONT’D)

I miss Nate.

Cassandra smiles.

CASSANDRA

He needed these days off.

JOHNATHAN

I know. Well, how are you?

CASSANDRA

You called me here to ask me how I was?

Johnathan smiles.

JOHNATHAN

Humor me.

Cassandra smiles.

CASSANDRA

I’m fine. Now, what is it?

Johnathan stares at her for a few seconds. He leans back on his chair and crosses his arms over his chest.

JOHNATHAN

I’m throwing a reception tonight.

Cassandra raises one of her eyebrows.

CASSANDRA

What for?

Johnathan takes a deep breath.

JOHNATHAN

My birthday.

Cassandra is taken by surprise.

CASSANDRA

I didn’t know your birthday was today.

JOHNATHAN

I never told you.

CASSANDRA

I could have googled it.

JOHNATHAN

Google has the wrong date.

Cassandra shoots him a look.

JOHNATHAN (CONT'D)

I don’t like to celebrate my birthday, so that way I can skip it by telling people that Google is wrong and come up with a new date.

CASSANDRA

Always a fake date, am I right?

Johnathan nods.

CASSANDRA (CONT'D)

Why celebrating on the right day now?

JOHNATHAN

My new PA called my mom and she gave her that information. The girl organized a party without even telling me and now a lot of people are invited.

CASSANDRA

I see.

JOHNATHAN

(sarcastic)

I’m gonna have to fire her tomorrow.

Cassandra laughs. Johnathan smiles as well. Then he gets serious.

JOHNATHAN (CONT'D)

I want you to come.

CASSANDRA

(surprised)

Me, but ---

JOHNATHAN

(cuts her off)

You work for me and I’m inviting you.

CASSANDRA

I haven’t got you a present. I wouldn’t know what to buy.

JOHNATHAN

Nothing. Just be there.

They stare at each other for a few seconds. Then Cassandra sighs.

CASSANDRA

Okay. Happy Birthday, Mr. Hale.

Johnathan smiles big.

CUT TO:

INT. PLANE OF NOTHINGNESS - UNKNOWN TIME OF DAY

Jo is sitting on the black floor. Jo is holding both babies in her arms. The only light is lighting them up. They seem to be asleep. It looks like she’s told them a story to sleep.

JO

--- So, the Evil Queen gave the red apple to Snow White who gave it a bite. Soon after, Snow White ---

Jo glances down at the babies and realizes they are asleep. She half-smiles.

JO (CONT'D)

(sighs)

Thanks, God.

(looks up)

Finally, I’ve got them to sleep. Thank you, Aunt Melinda, for all the nights you spent telling me and Matt Snow White’s tale.

Jo glances at baby Tina.

JO (CONT'D)

I used to imagine that I was Snow White, don’t mind the hair color, and mom was the Evil Queen. Well, in fact, she was.

CHRISTINA (O.S.)

Evil Queen, Cinderella’s stepmother, Maleficent ---

Jo glances at the babies, but they are still asleep. Jo turns around and sees the eleventh years old version of herself.

CHRISTINA (CONT'D)

(smiles)

You name it.

JO

What ---?

CHRISTINA

(cuts her off)

Am I doing here?

Christina approaches Jo and takes her baby self in her arms. She puts her in the crib.

CHRISTINA

We are the same person, Jo.

Christina turns to Jo.

CHRISTINA (CONT'D)

We don’t belong in that world anymore. Actually, we don’t belong anywhere.

Christina helps Jo to stand. Jo puts baby Matt on the crib.

JO

Where’s Matt?

CHRISTINA

He’ll be here soon. Oh, there he is.

Christina signs Jo to look behind her. Jo turns around and sees eleven years old Matt staring at her.

MATT

Nice to see an adult here.

JO

Isn’t your old version here as well?

MATT

We haven’t found him yet.

Jo glances from one to another.

JO

How do we leave this place?

CHRISTINA

We don’t. We don’t belong anymore.

MATT

We tried to warn them, but they had no memories of us.

JO

(looks at Christina)

She forgot about us.

CHRISTINA

She was forced to. Now is too late.

MATT

We’ll be here forever.

JO

I can’t stay here forever. Mom, dad and the others need me.

CHRISTINA

They don’t remember us, Jo. No one does.

JO

There must be a way. There has to.

Matt and Christina stare seriously at Jo.

CUT TO:

INT. MATTHEWS / MITCHELL MANOR - ENTRANCE / STAIRCASE - DAY

SOUND - DOORBELL.

Pandora comes downstairs. She’s still wearing pajamas.

PANDORA

Coming!

Pandora runs fast towards the front door and freezes as she sees Ethan there.

PANDORA (CONT'D)

(nervous)

Ethan? What are you doing here?

Ethan glances at her up and down.

ETHAN

You look fine!

Pandora is speechless.

ETHAN (CONT'D)

I was worried about you. You said you weren’t feeling well.

Ethan comes in and hugs her strongly.

PANDORA

I --- I ---

Ethan pulls apart.

PANDORA (CONT'D)

I took a pill.

Ethan touches her forehead.

ETHAN

No fever. Have you checked the temperature?

Ethan comes more into the house. Pandora closes the door, grimaces, and then turns to him.

PANDORA

I have. I’m sure it’s just simple flu. But you shouldn’t have come. I don’t want you to get sick.

ETHAN

I’m a doctor. I take my vitamins. I’m not afraid of the flu.

PANDORA

Well, what looks like a simple flu can turn out to be a big pandemic.

ETHAN

2020 was a long time ago and things are better now, thank God.

PANDORA

Yeah, but ---

ETHAN

If you want, we can go to the hospital and run some tests on you.

Pandora sighs.

PANDORA

There’s no need. I’m feeling better now.

She walks towards him and kisses him.

PANDORA (CONT'D)

You’re my medicine.

They smile at each other.

ETHAN

So, can we spend the day as we had planned to?

Pandora forces a smile.

PANDORA

Of course, we can.

They kiss again.

OFF TO SOMEONE ORBING IN behind Ethan.

Pandora realizes the blue orbs and her eyes pop open as she keeps kissing Ethan. The blue orbs turn out to be Junior and Sebastian. They freeze as they see Pandora and Ethan there.

Waving her hand, Pandora signs them to leave. And so, they walk into the dining room and hide. Pandora and Ethan pull apart. She disguises a smile.

PANDORA (CONT'D)

I’m gonna put some decent clothes on. Wait for me in the living room. I’ll be fast.

Ethan smiles and he heads into the living room. Pandora walks towards the dining room.

CUT TO:

INT. MATTHEWS / MITCHELL MANOR - DINING ROOM - DAY - CONTINUOUS

Junior and Sebastian are behind the wall that separates the entrance from the dining room. Pandora comes in and turns to them. She shoots them a look.

PANDORA

(whispering)

The hell?

JUNIOR

(whispering)

We have an urgent situation.

PANDORA

(whispering)

I just agreed in going out with my boyfriend.

JUNIOR

(whispering)

I know, but this is bad.

SEBASTIAN

(whispering)

Maybe we can leave her out of this.

PANDORA

(whispering)

Please. I haven’t had a good night, or day for the matter, for the past few days, because someone messed up with my life, and my boyfriend is not aware of my secret any longer.

JUNIOR

(whispering)

Sorry, sis. Go out with him, enjoy your date. We’ll handle it.

PANDORA

(whispering)

Thank you.

Pandora takes a deep breath and leaves the room. Sebastian looks at Junior.

SEBASTIAN

(whispering)

And you thought she would be interested in helping.

JUNIOR

(whispering)

She wanted to become a Genie when she was little, I thought she would be glad.

SEBASTIAN

(whispering)

You didn’t even tell her that there’s a missing lamp with a Genie somewhere.

JUNIOR

(whispering)

She has problems enough. Let’s go.

Junior and Sebastian ORB out.

CUT TO:

INT. UNDERWORLD - ARMAND’S CAVE - DAY

ON SALIMA - The Genie walks around the cave glancing around.

Armand and Alexia are there. They stare at Salima as she observes every object inside the cave: athames on a wooden table, a grimoire, some bottles.

ARMAND

Three wishes?

SALIMA

Yes, master.

Armand and Alexia exchange glances.

ALEXIA

You could wish for the destruction of the Destined Ones.

Salima turns to Armand and Alexia.

SALIMA

Do you wish that, master?

Armand glances from Salima to Alexia.

ARMAND

Genies are tricky.

SALIMA

I just want you to have what you wish.

ARMAND

And then what?

SALIMA

I’ll be free.

Salima smiles.

ARMAND

But someone will have to take your place in the lamp. Isn’t it right?

ALEXIA

You can fix that with your third wish. Someone replacing the Genie.

Armand looks at Salima who nods.

ARMAND

Still, wishes are a tricky thing.

ALEXIA

Thrust me, Armand. Wishing the destruction of the Destined Ones won’t bring a secondary effect to you.

Armand stares at Salima seriously.

ARMAND

I must think about it.

Alexia rolls her eyes.

ALEXIA

Don’t you want to become the Source? The ruler of the Underworld? Don’t be a chicken.

Armand turns abruptly to Alexia and pushes her back against the wall using TELEKINESIS.

ARMAND

Be careful, Seer.

Alexia looks seriously at him.

ARMAND (CONT'D)

I’m cautious. Not stupid. Many have tried, many have failed. I won’t fail for something stupid.

Armand turns around and leaves the cave. Alexia turns to Salima.

ALEXIA

Can I make those wishes?

SALIMA

(shakes her head)

He rubbed the lamp. He’s my master.

Alexia and Salima stare at each other.

CUT TO BLACK.

END OF ACT ONE

[Prue Brianna Johnna Halliwell]

ACT TWO

OVER BLACK.

FADE IN:

INT. UNDERWORLD - JARED’S CAVE - DAY

Demon #1, who was seen helping Alexia to steal the magic lamp, is there. Staring at him with an astonished look is Jared. Jared is wearing an elegant black suit.

JARED

A magic lamp?

DEMON #1

Yes. I helped the Seer to steal it last night. She plans to hand it to Armand so he can wish for the destruction of the Destined Ones.

JARED

I can’t let that happen.

DEMON #1

That’s what I thought. What do you want me to do?

Jared walks back and forward, thoughtful.

JARED

It’s not time to get them out of the way. No, I need my heir with Warren's blood. I want Armand to keep them entertained, but not like this. Wishes; Genies; They are tricky.

Jared turns to the demon.

JARED (CONT'D)

Get me that magic lamp.

DEMON #1

That won’t be easy.

JARED

Nothing in my life has come easily. Get me the lamp. You’ll be rewarded when my plan is completed.

DEMON #1

I’ll do my best.

JARED

No.

(serious)

Do better than that.

Demon #1 nods. Then he SHIMMERS out. Jared takes his phone from his pants pocket and dials a number.

JESSICA (V.O.)

Big brother, what’s up?

JARED

Cut the crap, Jess. I know you have heard of Armand, and also you have an ancient history with him.

JESSICA (V.O.)

I have no idea what you’re talking about.

JARED

(rude)

Stop it! Don’t forget that I know your every step, little sis.

A sigh can be heard from the other side of the line.

JESSICA (V.O.)

(sounds annoyed)

What do you want?

Jared smirks.

JARED

I need you to distract Armand.

Jared is serious.

CUT TO:

EXT. HALLIWELL MANOR - DAY

Prue’s car is pulled over. She comes out of it and goes up the front porch’s stairs.

CUT TO:

INT. HALLIWELL MANOR - ENTRANCE / STAIRCASE - DAY

Prue comes in and stops as she sees Junior and Sebastian there talking to Chris and Wyatt.

PRUE

Hey!

They look at her.

PRUE (CONT’D)

What’s going on?

Wyatt walks towards Prue and kisses her in the mouth. Prue is surprised.

PRUE

Bitchy Wife isn’t here?

WYATT

She left a note saying she was going to stay at his brother’s.

PRUE

She can stay there forever.

OFF TO MELINDA AND DAMON - Damon and Melinda come from the dining room.

MELINDA

The house is secure. Ella isn’t here, but she could come at any moment.

PRUE

What am I missing?

Prue feels apart. They all exchange glances.

PRUE (CONT'D)

(to Melinda)

I asked you to meet me at the condo, remember? You didn’t arrive so, I checked your GPS location.

MELINDA

You did what?

Melinda takes her phone from her back pocket and checks it. Then she looks at Prue.

MELINDA (CONT’D)

I forgot to turn it off.

PRUE

It wouldn’t work anyway. I can sense, remember?

(glances at them all)

So, what’s going on?

Wyatt turns to Prue.

WYATT

We didn’t want to worry you.

PRUE

(smiles)

I’m always worried, Wyatt. I’ll only have a moment to rest when I get our daughter back and back to our real lives.

Wyatt and Chris glance at each other.

CHRIS

(to Wyatt)

Better tell her.

PRUE

There’s a demon, right?

JUNIOR

Not a demon.

SEBASTIAN

A Genie.

DAMON

Well, as a matter of fact, there’s a demon who is in possession of a Genie’s lamp.

Prue glances at them all.

PRUE

A Genie? As in Aladdin?

JUNIOR

Yeah, well, the lamp looks a lot like Aladdin’s lamp.

DAMON

(astonished)

Wait, you saw that movie?

Junior glances at Damon.

JUNIOR

I have two sisters.

Damon understands what he meant.

PRUE

Hey!

They all look at Prue.

PRUE (CONT’D)

How did a demon put a hand on a magic lamp?

SEBASTIAN

It was stolen from Mr. Hassan.

JUNIOR

He’s a collector.

MELINDA

A collector in the magic sense of the word?

Junior shakes his head.

JUNIOR

In the human sense of the word. He knows nothing about magic, but he knows the lamp is magical.

MELINDA

Because that makes a lot of sense.

SEBASTIAN

He released the genie once back when he put his hands on the lamp. According to him, the genie didn’t stop asking him to make three wishes.

CHRIS

Wishes are tricky.

SEBASTIAN

Yeah. Mr. Hassan never believed in wishes. He said wishes are temptations of the moment and not life satisfaction.

MELINDA

Wise.

JUNIOR

So, he found some words in Aramaic in the lamp. He said them out loud and the Genie went back into the lamp.

SEBASTIAN

And so, last night some demons went into his penthouse in Saudi Arabia and stole the lamp.

WYATT

The factions. That demon, Armand. He might be behind all this.

SEBASTIAN

Yeah, that’s what the Elders suspect.

CHRIS

Well, I guess they want us to find the lamp.

SEBASTIAN

They do.

MELINDA

I guess we are going on a trip down there, huh?

Wyatt turns to Prue. They look at each other.

WYATT

You ---

PRUE

I’ll stay here.

Wyatt's brows raise. He is surprised.

WYATT

Are you okay with that?

Prue walks past Wyatt and then turns to him.

PRUE

I’m not. But I’m not in the mood to fight. Go get that lamp.

Wyatt smiles at Prue and nods. Then, they leave; Wyatt, Chris, Junior, and Sebastian ORB out while Damon SHIMMERS out taking Melinda. Prue glances around.

PRUE (CONT'D)

Now, while I wait, ---

Prue looks up to the top of the stairs.

PRUE (CONT'D)

--- Let’s see what secrets that Bitchy Wife might have.

Prue goes upstairs.

CUT TO:

INT. HALLIWELL MANOR - WYATT’S BEDROOM - DAY (SHORTLY AFTER)

Prue comes in. She’s on the phone.

ALEX (V.O.)

Why are you talking in a low voice?

Prue is whispering on the phone. She closes the door behind her and glances around.

PRUE

Because someone can arrive at any moment and I don’t want to be found.

ALEX (V.O.)

Found? Prue, where are you?

PRUE

In my bedroom. Don’t ask. Anyway, I want you to meet me.

ALEX (V.O.)

Now? I have classes, Prue.

PRUE

Right, college boy. How can you go calmly to college when we are living a lie.

ALEX (V.O)

‘Cause, we all agreed in pretending to be living our fake life.

PRUE

Right. Well, how about later?

ALEX (V.O.)

I’ll call you when I get off of the class.

PRUE

Great. Bye.

Prue hangs off the phone. She sighs.

PRUE (CONT'D)

Now, us.

She glances around.

PRUE (CONT'D)

If I were Bitchy Wife where would I hid my secrets?!

She shrugs and starts moving around the bedroom.

CUT TO:

INT. HALLIWELL / COOP MANOR - CHARLOTTE’S BEDROOM - DAY

Charlotte comes from inside the walk-in closet carrying a few dresses.

OFF TO CASSANDRA - She’s sitting on the bed staring at her sister.

Charlotte puts all the dresses on the bed.

CHARLOTTE

I really don’t know why you don’t wear one of your dresses.

CASSANDRA

Well, because is a reception in my boss’ penthouse and I need to be at my best.

Charlotte shoots her a look.

CHARLOTTE

What’s wrong with your own dresses that are not suitable to make you look at your
best?

CASSANDRA

I’ve worn them all.

Charlotte smiles. Cassandra starts picking dresses and looking at them. She picks a yellow one and stands looking seriously at it.

CASSANDRA (CONT'D)

What do you think of yellow?

Both Cassandra and Charlotte stare at the sleeveless yellow dress.

CHARLOTTE

You look good in yellow.

CASSANDRA

But?

Charlotte turns to Cassandra.

CHARLOTTE

What do you really want to accomplish tonight, Cass?

Cassandra looks at her sister.

CASSANDRA

What do you mean?

CHARLOTTE

I mean do you want to look good because is your boss’ reception or because your boss is the one you want to impress?

CASSANDRA

Why would I want to impress him?

CHARLOTTE

I don’t know. You tell me.

Cassandra looks away while Charlotte keeps her glance on her.

CHARLOTTE (CONT'D)

I know you, Cass. I’ve known you since you were born. You don’t need my help to look good no matter the event.

Cassandra puts the dress on the bed.

CHARLOTTE (CONT'D)

Is there something happening between you and Mr. Hale?

Cassandra turns to Charlotte.

CASSANDRA (CONT'D)

Nothing has happened ---

(pauses)

--- yet.

CHARLOTTE

Yet?

Cassandra grimaces.

CASSANDRA

He’s been very ---

(sighs)

--- good to me.

CHARLOTTE

Good?

Cassandra looks at her sister.

CASSANDRA

He let me finish my Ph.D.

CHARLOTTE

Right. He allowed you to take time off from work so you could study for your finals. He texts you very often. He comes to pick you at home every once in a while.

CASSANDRA

How do you know that?

CHARLOTTE

(smiles)

My bedroom windows.

Charlotte points to the windows of the bedroom.

CHARLOTTE (CONT'D)

I have a good look from there.

CASSANDRA

I know I should not think about this, because of the whole situation we live in, and I swear I’m trying not to get involved, but ---

Cassandra sighs. Then she stands and paces the room.

CASSANDRA (CONT'D)

Matt. He told me that I won’t have anyone in the future.

CHARLOTTE

Oh, Cass!

Cassandra turns to Charlotte.

CHARLOTTE (CONT'D)

That future is gone, it won’t happen.

CASSANDRA

The future where Prue and Wyatt were evil won’t. But there’s no proof that mine won’t be like that one Matt told me about. He said I closed myself because of what happened between me and Ben.

CHARLOTTE

You never talked about it. You just said he never would accept you the way you are.

CASSANDRA

I told him.

(lowers her gaze)

That I’m a witch.

CHARLOTTE

(surprised)

What?

CASSANDRA

He didn’t believe me, so I showed him. He ran away from me. A couple of weeks later, he knocked on my door at the campus in New York and said that he couldn’t be with someone like me. That it was too much for him.

CHARLOTTE

Why didn’t you tell us that?

CASSANDRA

Because you would call him a jerk.

CHARLOTTE

Well, that’s what he is.

CASSANDRA

No, Charlie. We can’t blame him. With time, things changed. We were able to talk and so, but he never looked at me like before. He started dating someone else and well, the rest you know.

CHARLOTTE

You came back home with a broken heart.

Cassandra nods.

CASSANDRA

That’s why I’m so afraid to date someone. But Matt told me I should not be afraid.

CHARLOTTE

Are you telling me that you actually have feelings for your boss?

CASSANDRA

I’ve been cautious so far, but maybe it’s time for me to let go. To not overthink things.

Charlotte approaches her sister and hugs her.

CHARLOTTE

Follow your heart.

They break apart. Charlotte and Cassandra stare at each other.

CHARLOTTE (CONT'D)

Just do that. You’re a cupid, so I’m sure you’ll know what to do and when to do it.

CASSANDRA

What will happen when we go back? You know, to our real lives.

CHARLOTTE

You are here now, when we get back, we’ll see.

Cassandra smiles.

CASSANDRA

Don’t ever let dad listen to you giving love advice.

CHARLOTTE

I’m not telling you to sleep with him.

Both sisters smile.

CHARLOTTE (CONT'D)

Black.

Cassandra doesn’t get it. Charlotte turns around and picks one of the dresses. A long black, backless dress with a deep V neck.

CHARLOTTE (CONT'D)

The perfect one.

Cassandra is astonished.

CASSANDRA

Charlotte!

Both sisters laugh.

CUT TO:

INT. HALLIWELL MANOR - WYATT’S BEDROOM - DAY

Prue is sitting on the bed while she looks for something in a drawer on the left side night table. She looks exasperated. She caresses her belly and grimaces.

PRUE

It’s not possible. Everyone keeps secrets!

She closes the drawer and stands. Prue glances around and sighs.

PRUE (CONT’D)

Fine. Spell it is.

Prue closes her eyes and concentrates. Then she opens her eyes and starts chanting.

PRUE (CONT’D)

(chanting)

‘Reveal now, reveal fast,

Reveal the secrets she keeps aside.

Reveal to me, why lies beneath,

The ugly truth she hides in here.’

Nothing happens. Prue sighs.

PRUE (CONT’D)

Huh! Weird. Two out of one. Whether she doesn’t have anything hidden or she put a protection spell on this bedroom.

OFF TO THE DOOR - It opens. Ella peaks inside.

ELLA

Jess?

Ella realizes it’s not Jessica there, but Prue. Prue forces a smile.

ELLA (CONT’D)

Prue? What are you doing here?

Ella comes in.

PRUE

Would you believe me if I told you I got lost on my way to the bathroom?

Ella shoots her a look.

PRUE (CONT’D)

Of course, you wouldn’t.

ELLA

Were you digging into Wyatt and Jessica’s stuff?

PRUE

(disguises)

Why would I do that?

Ella gives her a pointed look.

PRUE (CONT'D)

I wasn’t. I was just, you know ---

(something pops into her mind)

--- I was looking for Jessica.

ELLA

What for? She’s not your favorite person at all.

PRUE

Indeed. But she’s pregnant and so am I. I wanted to know how was she doing and ask her if she needed something. You know, I’ve been there.

Prue looks at her own belly and then at Ella.

PRUE (CONT'D)

I’m there. It’s the first time for her. I just thought we could put aside our differences.

ELLA

Really?

Ella shoots her a look trying to find some truth in Prue’s words.

PRUE

Really.

Ella sighs. She pretends to believe her.

PRUE (CONT'D)

You should trust me. You know me forever. Warren Coven, remember?

ELLA

I do. But you were the one who forgot it.

(forces a smile)

Bianca.

Prue sighs.

PRUE

You should get over it, you know? They were made for each other.

ELLA

Back when I and Chris started dating you used to say we were made for each other. Suddenly, you changed. Became all BFF with Bianca and everybody seems to be okay with that.

PRUE

Because everybody has concluded that Bianca is Chris’ destiny.

ELLA

Have you seen that? I mean, did you have a vision or something?

Prue and Ella stare at each other for a few seconds.

PRUE

Or something, yeah.

Ella lowers her gaze. Prue approaches her.

PRUE (CONT'D)

I’m your friend, El, and believe me, if someday I’ll believe that you and Chris can actually happen for real, I will support you as I do support Bianca. But for now, Bianca and Chris are in each others’ destiny.

Ella looks at Prue.

ELLA

I don’t understand, Prue.

PRUE

You will. Please, believe me, you need to let them be.

ELLA

(sighs)

I don’t know if I’m ready to let go of him.

Prue takes Ella’s hand.

PRUE

No one said it was easy. I know you’re hurting. I can feel it.

Ella forces a smile. Prue smiles back at her.

Then Prue turns to the dresser. On it, there’s a frame taken on Wyatt and Jessica’s wedding day. It shows Wyatt and Jessica.

Prue stares at the frame for a few seconds and then she reaches out her hand and grabs it. She feels a premonition coming in.

FLASHES TO:

INT. UNDERWORLD - ARMAND’S CAVE - DAY - INSIDE PREMONITION

Only the cave is seen. And in the middle of it, there’s a table with the magic lamp on it.

FLASHES BACK TO:

INT. HALLIWELL MANOR - WYATT’S BEDROOM - DAY

Prue comes back from the premonition. Ella stares astonished at her.

ELLA

What was it?

Prue looks at Ella, then she puts the frame back on the dresser. Prue looks back at Ella again.

PRUE

I know where the magic lamp is.

Prue takes her phone from her pocket as she walks out of the bedroom. Ella stares seriously at her.

ELLA

(confused)

Magic lamp?

Ella leaves the bedroom.

CUT TO:

INT. P3 - DANCING FLOOR - DAY

Bianca and Michaela are there. Bianca is teaching the art of preparing drinks to Michaela.

BIANCA

So, you add some rum to the mix ---

Bianca puts rum into the shaker and covers it. Then she shakes it.

BIANCA (CONT'D)

Shake it like this and then ---

(pours the drink into a glass)

--- Pour it into a glass. There you have a Daiquiri. Sweet, sour, and strong.

Bianca smiles at Michaela whose eyes widen.

MICHAELA

Do they teach this at college?

Bianca laughs.

BIANCA

You’ll nail it. You just need some practice.

MICHAELA

Some? A lot, you mean.

OFF TO SOMEONE COMING DOWN THE ENTRANCE STAIRCASE - A woman.

Bianca stares at the person and gets serious.

ON THE WOMAN’S FACE - It’s Rae.

Michaela turns around and sees Rae.

MICHAELA

Sorry, we are close.

RAE

Oh, the door was open and I thought I could have a drink.

BIANCA

It’s okay.

MICHAELA

But ---

BIANCA

(to Michaela)

Go home and practice. I’ll be waiting for you tonight.

Michaela smiles.

BIANCA (CONT'D)

Oh, and make sure Alex joins us tonight.

MICHAELA

He will.

Michaela takes her bag from the counter and walks out. Bianca turns to Rae.

RAE

I tried to call you.

BIANCA

I left my phone at home. But you shouldn’t have come here.

RAE

It’s important.

Rae walks towards the corner.

BIANCA

It’s about Armand?

Rae nods.

RAE

He’s powerful, B. Deadly powerful.

Both women stare at each other seriously.

CUT TO:

INT. UNDERWORLD - ARMAND’S CAVE - DAY

ON THE MAGIC LAMP - It’s on the table.

Near it, Armand paces the cave. He stops and looks at the lamp.

ARMAND

Wishes are tricky. I can’t do this.

JESSICA (O.S.)

Can’t do what?

Armand turns around and sees Jessica there staring at him. She is standing at the entrance. No belly at all.

ARMAND

Have you given up on the fake belly already?

Jessica smirk.

JESSICA

I don’t need to pretend in front of you.

Jessica walks towards him and puts her arms around his neck. Then she kisses him passionately. Then, Jessica breaks the kiss and moves away from him. She walks around him as she glances at the lamp.

JESSICA (CONT'D)

Is that what I think it is?

Armand nods.

JESSICA (CONT'D)

Have you made a wish?

Jessica stands in front of the lamp staring at her. Armand hugs her from behind.

ARMAND

Wishes are tricky, Jess.

JESSICA

Remember what I asked you this morning?

ARMAND

You want a baby, yes.

Jessica turns around to face him.

JESSICA

You could use it for it.

They both stare at each other seriously.

ARMAND

I just said that ---

JESSICA

(cuts him off)

Wishes are tricky, I know. But ---

ARMAND

But nothing, Jess. I’ve made my mind. I’m not going to use it. I’ve used the enchantment encrypted in the lamp to get the genie back in the magic lamp.

Jessica exhales.

ARMAND (CONT'D)

I’ve learned from others. They made mistakes and that’s why they couldn’t even get rid of the Warrens. I won’t make those mistakes.

Armand stares seriously at her. Then she smirks.

JESSICA

You are probably right.

Jessica puts her arms around his neck again and both kiss passionately once more. Armand leans her against the table where the lamp is. They touch each others’ bodies passionately. Then Jessica takes her hand to her back and her hand is really close to grabbing the lamp, when ---

OFF TO ENTRANCE - A demon comes in a rush. He gasps.

DEMON #2

Armand!

Armand and Jessica break the kiss and Jessica is unable to grab the lamp. They stare at the demon.

DEMON #2 (CONT'D)

The witches. They’re here.

As the demon finishes the sentence, he BLOWS up. Quickly, Jessica tries to hide behind Armand as Wyatt, Sebastian, Chris, Melinda, Junior, and Damon come into the cave. Sebastian frowns as he sees something. Jessica SHIMMERS out quickly.

SEBASTIAN POV - It happens quickly, but Sebastian sees as someone, who looks like Jessica, hides behind Armand and then SHIMMERS out.

As they get into the cave, Wyatt WAVES his hands and THROWS Armand back against the rock wall. As Armand is thrown, he hits the magic lamp who falls on the floor getting below another table.

Armand tries to stand quickly.

ARMAND

Well, well, well. Are those manners to get into someone’s home.

WYATT

We came for the lamp.

ARMAND

Of course, you did.

CHRIS

Where is it?

Melinda glances around.

MELINDA

Over there.

Melinda points to where the lamp is.

ARMAND

You won’t get it.

Armand WAVES his hands and THROWS Wyatt, Chris, Sebastian, and Junior behind. Melinda and Damon deviate from the attack.

ARMAND (CONT'D)

You don’t get to come here and claim what’s mine.

WYATT

We’ll see about that.

(to the others)

Get the damn lamp!

Wyatt stands, WAVES his hands, and shoots Armand with ELECTROKINESIS. Armand gets lifted from the floor and cries out in pain.

Meanwhile, Melinda reaches for the lamp and grabs it.

MELINDA

Got it!

SEBASTIAN

Let’s go!

WYATT

Not without vanquish him.

Armand uses his powers and using TELEKINESIS, throws some furniture against Wyatt. Both Wyatt and Armand fall on the floor. Armand is on his knees as Wyatt lies down on the floor. Chris approaches Wyatt and touches his shoulder. Armand looks at Wyatt.

ARMAND

You fool.

Chris ORBS out taking Wyatt. Junior and Sebastian ORB out as well and Damon SHIMMERS out taking Melinda.

Armand glances around and, still in pain, he laughs.

ARMAND (CONT'D)

Oh, Jessica, too close.

He keeps laughing.

CUT TO BLACK.

END OF ACT TWO

[Prue Brianna Johnna Halliwell]

ACT THREE

OVER BLACK.

FADE IN:

INT. HALLIWELL MANOR - CONSERVATORY ROOM - DAY

Prue and Ella are there. Prue walks back and forward while Ella stares at her.

ELLA

I’ve never seen a magic lamp in my life. Not even a genie’s bottle.

PRUE

Well, they’re real. And rare.

OFF TO CHRIS - He ORBS in bringing Wyatt, who’s on his knees, followed by Junior and Sebastian who ORB in as well, and Damon who SHIMMERS in bringing Melinda.

Prue and Ella look at them. Prue looks at Wyatt and runs towards him.

PRUE (CONT'D)

(worried)

Are you okay?

Ella looks at them surprised at Prue’s reaction.

WYATT

Now I am.

Wyatt smiles at Prue. She touches his face softly. Melinda realizes Ella’s presence there, so she ---

MELINDA

Ahem!

Prue and Wyatt look at Melinda who signs them to stop. Prue gets it and immediately disguises it by helping him stand.

PRUE

Did you get the lamp?

Melinda puts the lamp on the table.

MELINDA

Here it is.

Ella looks away from Wyatt and Prue and looks at the lamp.

ELLA

Is that a magic lamp for real?

SEBASTIAN

Yup.

(to Junior)

We should go Up There and ask them what we should do with it.

Junior nods.

PRUE

Did you find it where I said it was?

WYATT

Leah’s old cave.

CHRIS

It looks like Armand is using it.

ELLA

Sorry, but who’s Leah?

They all turn to Ella.

MELINDA

You never met her. It was a demon we vanquished a long time ago. No one that matters.

ELLA

She must have to have some importance if Prue recognizes her cave.

JUNIOR

Old cave.

PRUE

What about the Genie?

DAMON

It’s probably in the lamp. It wasn’t around when we got there.

PRUE

Just one way to find out.

Prue walks towards the lamp.

WYATT

You’re not going to rub it, are you?

Prue turns to Wyatt.

PRUE

Of course not.

Prue takes the lamp and takes the small cover out of it. She peeks inside.

PRUE (CONT'D)

Hello?

CUT TO:

INT. MAGIC LAMP - DAY

It is an oval room all decorated in an Arabian style full of colors. There are a few coaches and tons of pillows as well as fabric hanging.

Salima is laying on one of the couches when she hears a voice.

PRUE (V.O.)

Hello?

ON SALIMA’S EYES - They pop open.

Salima stands immediately.

SALIMA

Hi!

She looks up. There, one of Prue’s eyes can be seen.

PRUE

It’s inside.

SALIMA

Of course, I’m inside. I was put back here again.

Salima can see that Prue covers the entrance of the lamp. Salima shrugs.

CUT TO:

INT. HALLIWELL MANOR - CONSERVATORY ROOM - DAY

Prue closes the lamp and turns to them.

PRUE

There’s definitely a Genie inside.

JUNIOR

The lamp must be kept safe until we get back.

SEBASTIAN

Armand must come after it.

They all nod. Junior and Sebastian ORB out.

CHRIS

I got the feeling that he made no effort to protect the lamp.

Wyatt turns to Chris.

WYATT

Jeez, you think?!

CHRIS

Wyatt, think of it. It was too easy.

WYATT

You weren’t the one who got hit with furniture.

CHRIS

Well, not that easy.

DAMON

Well, we’ve managed to get the lamp. That’s what matters.

MELINDA

Yeah, Wy, don’t be a baby. You can heal yourself.

Wyatt shoots his sister a look.

ELLA

Crystals all over the place?

DAMON

Let’s get to it.

Melinda, Damon, and Ella walk out of the room. Once they’re out, Wyatt and Prue look at each other.

PRUE

Are you really okay?

Wyatt nods.

WYATT

Only my pride is hurt.

Prue walks towards him and touches his face softly.

PRUE

We’ll get rid of him.

Wyatt approaches his face to hers and gives her a quick kiss. Then they look at each other.

WYATT

(whispering)

I love you, Prue Halliwell.

PRUE

And I love you, Wyatt Halliwell.

Both smile at each other.

OFF TO CHRIS - He comes in holding the crystal box and sees them.

CHRIS

Crystals coming in!

Wyatt and Prue step away from each other and look at Chris who shoots them a look. That’s when Ella comes in.

ELLA

(to Prue)

I still don’t understand how you knew where the lamp was and who are Leah and Armand?

PRUE

I had a vision when I ---

Prue pauses and stares at Wyatt.

PRUE (CONT'D)

(to Wyatt)

I picked a frame.

CHRIS

What frame?

Ella and Chris start placing the crystal on the conservatory room.

PRUE

(to Wyatt)

Your wedding photo.

ELLA

Prue!

Ella shoots Prue a look.

ELLA (CONT'D)

Prue was looking for Jessica in your bedroom, Wyatt.

Ella excuses Prue. She thinks she’s helping her in covering her intrusion to Wyatt’s bedroom. Prue and Wyatt exchange glances.

WYATT

(to Prue)

What for?

PRUE

(forces a smile)

Women stuff. You guys, know that sometimes I don’t need to touch a thing to get a vision. It just happens.

CHRIS

True.

Wyatt keeps staring at Prue like he knows there is something she’s hiding. Prue sighs.

CUT TO:

EXT. BAY MIRROR - DAY

ON THE BAY MIRROR SIGN.

CUT TO:

INT. BAY MIRROR - MIRROR’S MAGAZINE - REDACTION ROOM - DAY

Melissa is at her desk typing on her computer. She seems very concentrated.

OF TO THE DOUBLE DOORS - They open. Tamora comes in holding a bouquet of red roses. She glances around. She spots who she is looking for and walks towards her.

Melissa is so focused on the story she’s working on that she doesn’t realize Tamora’s approach until Tamora is right in front of her desk.

Melissa’s eyes move from the computer screen to the roses and then up to Tamora’s face.

TAMORA

Just my luck! The delivery boy got sick.

Melissa smiles and stands.

MELISSA

What ---

TAMORA

My brother has a job as you might know and he asked for a favor.

Tamora hands her the roses. Melissa smiles big and takes the roses.

TAMORA (CONT'D)

Is he still apologizing?

Melissa looks at Tamora.

MELISSA

I already forgave him.

TAMORA

Well, then sex was good.

Melissa smiles again.

TAMORA (CONT'D)

Don’t need details. Where’s Wyatt?

MELISSA

Oh, he had a thing. He texted me only with the word ‘Aladdin’. Do you know what it means?

Tamora grimaces.

TAMORA

Genie.

Melissa shoots her a look. Tamora glances around and then she turns to Melissa and whispers.

TAMORA (CONT'D)

Magic thing. I’ll better check out them.

Tamora turns to leave.

MELISSA

Thanks.

Melissa smiles at the flowers and turns around. Tamora leaves the room.

CUT TO:

INT. JARED’S APARTMENT - LIVING ROOM - DAY

Jared is there walking back and forward. He seems mad.

JARED

How could you be so stupid!

Jessica is there, her belly is big again. She stands watching him. She rolls her eyes.

JESSICA

How would I know they were after the lamp?

JARED

He’s your husband. Communication is one of the first things required for a marriage to work.

JESSICA

(mad)

Give me a break, Jared. You know that he and I haven’t been husband and wife. We never were actually.

Jared approaches quickly towards Jessica and pushes her against the couch.

JARED

I gave you that, Jessica. You just had to do one thing.

JESSICA

You must have done something wrong. He doesn’t love me. Not in the same way he loved her.

JARED

Your problem. He was right there next to you. You just had to be a wife. Not even a child you’ve got.

JESSICA

I’m working on that, okay?

Jared turns around.

JARED

You better get me that lamp, Jess.

JESSICA

(stands)

Do you want me to take it from them?

Jared turns to her. He is serious.

JARED

Of course, I do. I need that lamp.

JESSICA

Genies are tricky, Jared.

JARED

(smirks)

I’m trickier. Now, get your butt out of here and get me that lamp.

Jessica grimaces and then she SHIMMERS out. Jared rolls his eyes.

JARED (CONT'D)

Baby sisters and their poor excuses!

Jared turns around and leaves the room.

CUT TO:

INT. UNDERWORLD - ARMAND’S CAVE - DAY

Alexia is astonished staring at Armand.

ALEXIA

What do you mean?

ARMAND

I mean that I’m not going to do anything to get that lamp back.

ALEXIA

I got it for you!

Alexia is wrathful.

ALEXIA (CONT'D)

I put demons behind this lamp so you could get your hands on it and become at last the new leader of this place. What comes next?

Armand stares seriously at her.

ALEXIA (CONT'D)

Do you want me to stop my search for the Source’s essence?

ARMAND

No.

ALEXIA

It would be easier with the lamp.

ARMAND

Well, maybe they use it and spare me the work.

Alexia laughs sarcastically.

ALEXIA

Do you really think they’d use the lamp for them?

Armand looks away.

ALEXIA (CONT'D)

They won’t. They are the Destined freaking Ones. The Power of Three times Three, Armand. There’s not the biggest source of power other than that.

ARMAND

All those lessons I’ve learned at the Academy. And so the lesson about Genies and how tons of demons have fallen into disgrace because they knew nothing about wishes.

Armand walks towards Alexia.

ARMAND (CONT'D)

The lamp is a dangerous thing and the Genie within is even more dangerous. So leave it!

Alexia is about to say something but is cut off.

ARMAND (CONT'D)

Now, leave me alone!

Alexia’s face shows rage. She TELEPORTS herself leaving a GLISTENING contour. Armand sighs.

ARMAND (CONT'D)

If she wasn’t who she is, I would vanquish her myself.

ON ARMAND’S FACE - He is serious.

CUT TO:

INT. UNDERWORLD - SEER’S CAVE - DAY (SHORTLY AFTER)

Alexia appears using GLISTENING.

OFF TO A COUPLE OF DEMONS - They come in.

Alexia turns to them.

ALEXIA

Bring that magic lamp here!

The demons nod and SHIMMER out.

ALEXIA (CONT'D)

I know what’s better and if he’s not using those wishes, I will.

Alexia is deadly serious.

CUT TO:

EXT. P3 - DAY

STILL VIEW at the P3 sign.

CUT TO:

INT. P3 - DANCING FLOOR - DAY

Bianca and Rae are at one of the tables sitting across from each other. Bianca has an astonished look on her face.

BIANCA

A Seer? How is a Seer working with an ordinary demon?

RAE

He’s not a normal demon, B. He was trained at the Academy and is one of the best. Spent years gathering powers. Some say that the Seer saw his future and saw him as the new Source.

BIANCA

That’s not possible.

RAE

It is. If she finds a way to get the Source’s essence ---

At that moment, Bianca’s cell phone beeps with a text. Bianca checks it out and as she reads, her expression hardens.

RAE (CONT'D)

Something wrong?

BIANCA

Chris. They recovered a magic lamp from Armand’s hands.

RAE

(surprised)

What?

Bianca looks at Rae.

RAE (CONT'D)

It’s unthinkable what he could do if he gets it back.

BIANCA

I need to go and help.

They stand.

RAE

I’ll be down there and try to find out if they have a plan of attack.

BIANCA

Thank you, Rae.

Rae smiles and then she SHIMMERS out. Then Bianca SHIMMERS out as well.

CUT TO:

EXT. SAN FRANCISCO - DAY TURNING INTO EVENING

The sunlight is fading.

CUT TO:

EXT. MATTHEWS - MITCHELL MANOR - PRESCOTT STREET - EVENING

A CAR is pulled over in front of Paige and Henry’s home.

CUT TO:

INT. ETHAN’S CAR - EVENING

ON PANDORA’S FACE - She is serious.

Ethan is at the steering wheel while Pandora is on the passenger seat. Both of them are serious.

Ethan glances at her, but she doesn’t turn to him. She looks ahead.

ETHAN

I honestly don’t understand. Sometimes it looks like if we are not on the same page.

Pandora says nothing.

ETHAN (CONT'D)

I love you and I know you love me too. I always felt like there was something in your life you did not want to share with me, but lately, it’s worse.

Finally, Pandora turns to him.

PANDORA

You’ll understand.

(pauses)

Eventually.

ETHAN

But for that to happen, Pan, I need to know what’s going on. Why don’t you tell me?

Pandora lowers her gaze. Then she looks back at him.

PANDORA

I don’t want to go through that again.

ETHAN

Go through what?

PANDORA

I’m sorry, Ethan.

Pandora opens the car’s door.

ETHAN

Pan!

Pandora jumps out of the car.

ETHAN (CONT'D)

Pan!

She shuts the car’s door. Ethan is astonished. He turns on the car and drives away.

CUT TO:

EXT. MATTHEWS - MITCHELL MANOR / HALLIWELL MANOR - PRESCOTT STREET - EVENING

Pandora watches as the car is driven fast away from there. She takes a deep breath. Then she turns around and heads to the front door.

The camera moves away from the Matthews - Mitchell Manor to the Halliwell Manor.

A CAR is pulled over. Tamora comes out of it. She looks at her house.

TAMORA

(out loud)

Pan?

Across the street, Pandora turns around. Tamora signs her to come closer. Pandora nods. She crosses the street and meets her sister.

TAMORA (CONT'D)

Hey, what’s up?

Tamora notices that there’s something wrong with her sister.

PANDORA

I’m fine.

TAMORA

No, you’re not. I’m your twin sister and I know you better than you know yourself. What’s wrong?

Pandora sighs.

PANDORA

Ethan.

Tamora rolls her eyes.

TAMORA

For the love of Christ. You should talk to him and tell him what’s going on.

PANDORA

Do you think is easy? I remember quite well how he reacted back when he found out about magic in our real lives.

TAMORA

This is our real life too, sis. It’s not because we ended up in a messed reality that this is not real for us.

PANDORA

I know. But I can’t go through that again. I don’t want to keep this conversation.

Tamora sighs.

TAMORA

We’ll get back to it later. Something is going on.

Pandora doesn’t understand. Tamora points to the Halliwell Manor.

TAMORA (CONT'D)

Genie.

Pandora’s eyes widen.

CUT TO:

INT. HALLIWELL MANOR - CONSERVATORY ROOM - EVENING

ON THE LAMP - It is still on the table.

Bianca stands staring at the lamp. Chris is there staring at Bianca. No one else is there.

BIANCA

Those things are tricky.

CHRIS

I know.

Bianca turns to Chris.

BIANCA

I learned about them, but never saw one.

CHRIS

Me neither. Only in pictures. Actually, the pictures I saw were of bottles.

BIANCA

Indeed. A lamp is a first.

OFF TO ELLA - She comes in and stops as her eyes lie on Bianca.

Bianca and Chris turn to Ella.

BIANCA (CONT'D)

(excusing herself)

I’m not here to cause any trouble.

Ella stares seriously at Bianca.

BIANCA (CONT'D)

I just thought I could help.

Ella says nothing. Then she turns to Chris.

ELLA

Mel and I think that Armand can send demons after the lamp.

Chris and Bianca exchange glances. It’s clear that Ella just ignored her.

ELLA (CONT'D)

They won’t get in. The crystals are all in place.

CHRIS

Okay. I think we should keep the crystals in this room only.

Chris means the conservatory room.

ELLA

But that way ---

CHRIS

They would get in, yes. We want to protect the lamp until a safe place to keep the lamp is found, but we cannot hide.

BIANCA

That’s risky, Chris.

Ella glances at Bianca and then glances back at Chris.

ELLA

That’s risky, Chris.

Bianca shoots Ella a look. Then she looks at Chris again.

BIANCA

We know little about Armand. We don’t know what he’s capable of. He has a Seer working for him.

Chris shoots Bianca a look. Ella looks at Bianca.

CHRIS

How do you know that?

Bianca realizes she said too much. She sighs.

BIANCA

I just do.

ELLA

How come everybody knows what’s going on, but me? How long have you guys been aware of the factions and told me nothing about it? And now, this woman has important information and keeps it from you?

BIANCA

I just got to know.

CHRIS

How?

Chris and Bianca stare at each other.

BIANCA

I’ll explain later.

ELLA

It looks like she has a secret agenda.

(to Chris)

Is this woman the one you say you love?

SOUND - Front door opening and closing. Some steps approach.

BIANCA

I don’t have a secret agenda. I just hadn’t had time to communicate what I’ve just learned.

ELLA

(rolls her eyes)

Clearly!

OFF TO TAMORA AND PANDORA - They come in.

Pandora sets eyes on the lamp and walks towards it quickly.

PANDORA

Is it this?

Pandora takes the lamp on her hands. Chris and Bianca stare seriously at each other. Ella stares at them. Tamora can sense there’s something wrong.

TAMORA

Guys?

BIANCA

(to Chris)

We talk about it later, okay? I don’t have a secret agenda.

Chris nods. Ella is astonished.

ELLA

But ---

CHRIS

(to Ella)

Stop it.

(deep breaths)

She said she’ll explain later.

Ella turns around mad. She leaves the room. Chris looks at Pandora who is astonished admiring the lamp. She rubs the lamp a little.

CHRIS (CONT'D)

Don’t even dare to ---

Chris is cut by the green smoke that escapes out of the bottle and brings Salima with it.

CHRIS (CONT'D)

--- rub the lamp.

SALIMA

(to Pandora)

Salima at your service, Master. Your wish is my command!

They all stare incredulously at Salima.

CUT TO:

INT. HALLIWELL MANOR - KITCHEN - EVENING

Prue and Wyatt are there talking. Wyatt is leaning against the island and Prue is sitting on a chair.

WYATT

Prue, you have said a lot, but you haven’t said why you were in my bedroom.

PRUE

For the record, that’s my bedroom too.

WYATT

Fine. Our bedroom.

Prue looks away. Then she turns to him and looks at him seriously.

PRUE

I went to sneak on her things.

WYATT

(surprised)

What? What were you trying to find?

PRUE

Something.

WYATT

Something like what?

Prue stands madly.

PRUE

Oh, c’mon, Wyatt. What do you want me to do? That woman claims that she’s expecting a child. Your child. I am the mother of your children. All three of them. I don’t like the idea of that woman being pregnant of you. She just can’t be expecting your child.

WYATT

I know, but she is.

Prue sits back on the chair and caresses her belly. Wyatt stares at her and then his expression softens. Wyatt walks towards her and lowers down to her level. He puts his hands on her belly.

WYATT

I don’t know how Prue. But Jessica is pregnant.

PRUE

That child can’t be yours. It can’t.

WYATT

We are going to fix this.

He touches her face softly.

WYATT (CONT'D)

We’ll get back to our lives. I promise you that.

PRUE

What about her? If she’s not part of our lives and that baby doesn’t exist ---

WYATT

I don’t know how is it going to be, okay? I don’t know if we’ll get back to the moment we left or ---

They look at each other.

WYATT (CONT'D)

Let’s focus on getting Jo and our lives back, okay?

Prue lowers her gaze.

PRUE

Did you ever ---

Wyatt stares seriously at her.

PRUE (CONT'D)

You and her? You met her at college.

WYATT

Nothing ever happened between us. Ever. We just trade a few words. Nothing else. Not then. Not now.

Prue and Wyatt look each other in the eyes.

OFF TO DAMON - He comes in looking for them.

DAMON

We’ve got problems.

Wyatt and Prue look at him.

CUT TO BLACK.

END OF ACT THREE

[Prue Brianna Johnna Halliwell]

ACT FOUR

OVER BLACK.

FADE IN:

EXT. HALLIWELL / COOP MANOR - EVENING

STILL VIEW AT THE HOUSE. Some lights are on.

CUT TO:

INT. HALLIWELL / COOP MANOR - CASSANDRA’S BEDROOM - EVENING

ON THE MIRROR - It reflects the image of Cassandra wearing the long black, backless dress with a deep V neck her sister picked earlier. Cassandra watches herself on the mirror and likes what she sees.

OFF TO CHARLOTTE - She stands in the doorway staring at her sister.

CHARLOTTE

He’ll be amazed.

Cassandra turns around and stares at her sister.

CHARLOTTE (CONT'D)

Don’t need to be home early.

Cassandra smirks.

CASSANDRA

Right, and tomorrow I’ll deal with dad’s questions. You know we go through interrogation every time we spend the night out.

CHARLOTTE

Oh, don’t worry about that. But yes, it’s exhausting after all these years to have to answer dad where I spent the night. He only cares for us, but he knows that we are grown women. He just messes with our sanity.

CASSANDRA

Yeah, but he has been a cupid for so long. He never had a relationship before mom and so that’s why he is like that. He dated one woman in his entire long life.

CHARLOTTE

Let’s not talk about our parents’ private life.

CASSANDRA

Agree.

(pauses)

How do I look?

Charlotte walks towards her sister.

CHARLOTTE

As I said, he’ll be amazed. You look gorgeous.

Cassandra smiles.

CASSANDRA

Wish me luck.

CHARLOTTE

(smiles)

Good luck.

(her smile fades)

But be careful with your wishes.

CASSANDRA

Why?

CHARLOTTE

Genie.

CASSANDRA

What? Where?

CHARLOTTE

Oh, don’t worry about it. We’ll deal with it.

CASSANDRA

Deal with it? Charlie!

CHARLOTTE

Go!

Charlotte takes Cassandra’s purse and hands it to her.

CASSANDRA

But ---

Charlotte rushes her out of the bedroom.

CHARLOTTE

Go and get laid.

Both women get out of the bedroom.

CUT TO:

INT. HALLIWELL MANOR - CONSERVATORY ROOM - EVENING

Wyatt, Prue, Chris, Bianca, Melinda, Damon, Tamora, Pandora, Ella, and Salima are there. They all stare seriously at Salima.

SALIMA

(to Pandora)

You have the right to make three wishes.

WYATT

(to Pandora)

Not even one is going to come out of your mouth. Are we clear?

PANDORA

I’m not stupid, Wyatt.

CHRIS

Seriously? Why did you rub the lamp?

PANDORA

I didn’t think, okay?

OFF TO CHARLOTTE - She BEAMS in.

CHARLOTTE

Okay, one situation is taken care of, now next.

They all look at her.

PRUE

What happened?

CHARLOTTE

I was just helping our little sister to get laid.

They all look astonished at her.

CHARLOTTE (CONT'D)

Did I say that out loud?

Prue nods yes. Charlotte grimaces.

TAMORA

Who’s the lucky one?

CHARLOTTE

You know? Forget what I said.

Charlotte realizes Salima’s presence.

CHARLOTTE (CONT'D)

Is that ---?

SALIMA

Salima.

CHARLOTTE

Right. The Genie. Who ---?

PANDORA

I did. Gosh, I said I’m sorry.

TAMORA

Pan was always fascinated by genies. Remember that time she dressed as a genie for Halloween?

MELINDA

(smiles)

Yes. Junior had to dress as Aladdin while you were on the carpet.

Tamora grimaces. Melinda and Prue laugh.

TAMORA

That’s not funny, guys.

WYATT

This isn’t funny either.

Melinda and Prue stop laughing.

WYATT (CONT'D)

We’ve been told many times not to rub genies’ bottles.

SALIMA

For the record, that’s a lamp, not a bottle.

Salima points to the lamp on the table.

CHRIS

We need to find a way to get the genie inside the lamp again.

SALIMA

(annoyed)

Again? No, please. I would love to know how it feels to live in the real world.

ELLA

Isn’t the world real inside your bottle?

SALIMA

Lamp.

ELLA

Lamp.

SALIMA

It is, but that’s all I know.

PRUE

Well, sorry, darling, but we can’t let you stay here. You need to get in that bottle.

SALIMA

Not again, please. That demon freaked me out, but I hope for him to release me. When he put me into the bottle again I got frustrated.

ELLA

Join the group. There’s a lot of frustrated people here.

Ella shoots Bianca a look.

ELLA (CONT'D)

Too many things that make us feels frustrated.

WYATT

(to Salima)

So, Armand put you back in the lamp?

Salima nods.

WYATT (CONT'D)

Why?

SALIMA

He didn’t want to make wishes.

CHRIS

Why?

Salima shrugs.

SALIMA

The other woman wanted to, but he didn’t.

DAMON

What other woman?

BIANCA

The Seer, maybe.

Salima nods.

PRUE

A Seer? Does Armand have a Seer on his side?

Bianca nods.

ELLA

Aren’t you going to ask her how she knows that?

Prue looks from Bianca to Ella. Then to Bianca again.

BIANCA

I have contacts down there.

CHRIS

What do you mean?

BIANCA

Do we really need to talk about this now?

CHRIS

Okay. Let’s focus on putting the genie back in the lamp.

Chris turns to Salima.

CHRIS (CONT'D)

How did he put you back in?

SALIMA

I’m not telling. You’ll put me back.

TAMORA

Oh, genies and their tricky ways.

CHRIS

I’ll find out.

(to Salima)

You stay here.

Chris walks out of the room followed by Bianca and Ella.

DAMON

Contacts down there?

MELINDA

Bianca will explain later. I need to check on the restaurant.

DAMON

Do you want me to give you a quick ride?

MELINDA

Better than the car.

Melinda holds Damon’s hand.

MELINDA (CONT'D)

Call us if Sebastian and Junior come back.

(to Damon)

Let’s go.

Damon SHIMMERS out taking Melinda.

WYATT

Let’s get the crystals out.

PRUE

Are you sure?

WYATT

Let’s see if that Armand has the courage to come and meet me.

CHARLOTTE

I’ll help you.

PRUE

Keep the crystals in this room.

WYATT

(to Prue)

Don’t leave this room.

PRUE

Yes, love.

Wyatt and Charlotte leave the room.

SALIMA

(to Pandora)

Wishes?

Pandora and Salima stare at each other.

CUT TO:

EXT. HALLIWELL MANOR - PORCH - EVENING

Jessica stands there. Her belly remains big. She’s about to enter. She takes a deep breath and then opens the door.

CUT TO:

INT. HALLIWELL MANOR - ENTRANCE - EVENING

Jessica comes in as Charlotte comes from the living room carrying a few crystals.

CHARLOTTE

Hey, Jess.

Jessica glances at the crystals and then at Charlotte.

JESSICA

What’s going on?

CHARLOTTE

(glances down at the crystals)

Oh, you know. Normal stuff. Demons, genies.

Jessica pretends to be surprised at Charlotte’s answer.

JESSICA

Where’s Wyatt?

CHARLOTTE

Upstairs. He’s taking out the crystals. We expect an attack soon. Be careful, there’s a genie on the loose.

Charlotte turns to leave. Voices are heard from the conservatory. Jessica walks slowly towards there.

CUT TO:

INT. HALLIWELL MANOR - CONSERVATORY ROOM - EVENING

Prue, Tamora, and Pandora are still there and so is Salima.

TAMORA

(to Pandora)

So, are you going to tell us what’s going on?

PANDORA

I told you.

Pandora sits on one of the couches.

PANDORA (CONT'D)

I can’t get through that. I can’t tell Ethan the truth.

PRUE

Is it affecting your relationship?

Pandora glances at Prue.

PANDORA

Isn’t this affecting our lives? All this mess?

PRUE

Yes, but ---

Prue cuts herlsef off.

PRUE (CONT'D)

Someone’s here.

Tamora and Pandora look at Prue.

PRUE (CONT'D)

(at the conservatory room’s entrance)

Who’s there?

The four of them look at the entrance. At first, no one comes in, then, Jessica shows up.

JESSICA

Hi!

Prue rolls her eyes.

PRUE

(rude)

Were you listening to our conversation?

Jessica smiles at Prue.

JESSICA

This is my house. I came in and I didn’t want to intrude. It’s not my fault that you’re having a loud conversation.

TAMORA

We weren’t.

Jessica looks at Salima.

JESSICA

You must be the genie.

Salima nods.

PANDORA

I got her out.

TAMORA

Stupid thing.

PANDORA

I said I’m sorry, okay?

Pandora sighs.

PANDORA (CONT'D)

I didn’t do it on purpose. I could use some wishes, actually, but I’m not that stupid.

TAMORA

You better not.

Pandora stands. She is frustrated.

PANDORA

I won’t do it, Tam. Jeez, why don’t you have a little faith on me?

TAMORA

I do have faith on you, but I know you’re going through complicated times.

JESSICA

Are you having problems with Ethan, Pan?

PRUE

(rude at Jessica)

It’s not of your business.

Jessica is about to say something, but Pandora cuts her off.

PANDORA

(to Prue and Jessica)

Don’t start the two of you.

(to Jessica)

Yes, I’m having problems in my relationship. He doesn’t know I’m a witch and it’s getting harder and harder to hide things from him.

(sighs)

I just wish he could know who I am.

Prue and Tamora exchange glances as they heard the word ‘wish’.

PANDORA (CONT'D)

I wish he could accept me the way I am.

Prue and Tamora wave Pandora to stop.

PANDORA (CONT'D)

I wish we could live together happily ever after.

Prue and Tamora realize that Pandora just made three wishes.

TAMORA

No!

ON SALIMA - She smiles.

SALIMA

Your wish is my command.

Pandora just realizes what she just did.

PANDORA

Oh, crap.

Salima, still smiling big, blinks.

CUT TO:

INT. JOHNATHAN'S PENTHOUSE - EVENING

It’s the celebration of Johnathan’s birthday. The room is crowded with people. Johnathan is greeting some people. He forces a smile as more people approach him. The piano is heard in the background.

OFF TO THE ENTRANCE - The doors open and Cassandra walks in wearing her long black dress. She glances around.

OFF TO JOHNATHAN - He rolls his eyes as a couple walks away from him.

JOHNATHAN

Thank you.

He takes a deep breath as his eyes glance around the room. And he sees her. His eyes stay still staring at Cassandra who glances back at him. She smiles. A middle-aged man approaches Johnathan, but he walks past him without even excusing himself. Johnathan walks towards Cassandra. Their eyes never looking away from each other. Once the are close to each other, Johnathan glances at her up and down.

JOHNATHAN (CONT'D)

You look beautiful.

Cassandra smiles.

CASSANDRA

Black never disappoints, huh?!

JOHNATHAN

I believe you’d look beautiful no matter the color you’re wearing.

Cassandra blushes.

JOHNATHAN (CONT'D)

You don’t need to blush.

CASSANDRA

How many women in this room have you told that to?

Johnathan fixes his eyes on her and gets serious.

JOHNATHAN

You’re the first.

They stare seriously at each other.

JOHNATHAN (CONT'D)

Come. Let’s dance.

Johnathan holds out his hand. She looks at his hand for a few seconds. Then she looks up into his eyes and holds out her hand to take his. Johnathan smiles and drags her into the dance floor. The piano is heard on the background.

CUT TO:

INT. HALLIWELL MANOR - CONSERVATORY ROOM - EVENING

ON SALIMA - She wears a big smile on her face and normal clothes on her body. She’s not a genie anymore.

Pandora is nowhere to be seen. Prue, Tamora, and Jessica stand astonished glancing at Salima. The lamp is on the table.

TAMORA

Where is Pan?

SALIMA

She made three wishes.

TAMORA

I’m aware of that. Now, where is my sister?

Tamora is very serious.

SALIMA

She took my place.

PRUE

Wait, what?

Salima nods.

TAMORA

(astonished)

She is in that lamp?

Salima nods again.

TAMORA (CONT'D)

How did three wishes get her into the lamp?

SALIMA

Well, it is simple.

PRUE

Simple? Simple how?

SALIMA

She made three wishes. She got three wishes. I was released. She took my place.

Prue and Tamora exchange glances. Then Tamora walks towards the lamp. Prue looks at Salima.

SALIMA (CONT'D)

I’m human now.

PRUE

This isn’t over.

Tamora opens the cover of the lamp and peeks inside.

CUT TO:

INT. GENIE’S LAMP - EVENING

ON PANDORA - She looks at her image in the mirror. Pandora is extremely shocked. She wears genies’ clothes.

PANDORA

Oh, crap!

She takes her hands to her head.

PANDORA (CONT'D)

Oh, crap, crap, crap!

ETHAN (O.S.)

Pan?

Pandora’s eyes widen. Slowly, she starts turning around. And ---

BEAT. Ethan is right there. He is also wearing genies’ clothes. Pandora is shocked.

PANDORA

Ethan?

ETHAN

What’s going on?

PANDORA

How did you end up here?

ETHAN

I have no idea. One moment I was at home getting ready for my shift and the next I was here.

Pandora realizes something.

PANDORA

The wishes.

OFF TO THE LAMP’S COVER - It’s opened. Tamora’s eyes show up.

TAMORA

Pan?

Both Pandora and Ethan glance up.

PANDORA

Tam?

TAMORA

Are you okay?

Ethan is astonished.

ETHAN

What’s going on?

Pandora looks at Ethan. She doesn’t know what to say.

TAMORA

Is that ---?

PANDORA

Ethan is here.

TAMORA

We’re gonna get the two of you out of there, okay. Don’t worry.

PANDORA

Hurry.

Tamora covers the lamp. Pandora and Ethan look at each other.

ETHAN

Can you explain to me what’s going on?

Pandora sighs.

PANDORA

Oh, Ethan. I should have told you sooner, but I was hoping for our lives to get back to normal so I wouldn’t have to go to the hell of you finding out the truth about me again.

ETHAN

What truth?

Pandora takes a deep breath.

PANDORA

I’m a witch. Actually, I’m a Witchlighter.

ETHAN

A what?

Ethan’s face expresses confusion. Pandora forces a smile.

CUT TO:

INT. HALLIWELL MANOR - CONSERVATORY ROOM - EVENING

Tamora turns to Prue, Jessica and Salima.

TAMORA

She’s there and so is Ethan.

PRUE

Ethan is there too?

Tamora nods.

JESSICA

She wished for it.

Prue, Tamora and Salima turn to Jessica.

JESSICA (CONT'D)

All the three wishes were about him, weren’t they?

PRUE

Why are you still here?

Jessica smiles.

JESSICA

This is my home.

Prue steps forward and is about to answer that, but Tamora holds her arm.

TAMORA

Not now. Please. The two of you. We need to get my sister out of there quickly.

Prue and Jessica stare at each other seriously. Their eye fight is cut by the arrival of Wyatt, Charlotte and Ella walk into the room.

WYATT

What’s going on?

Jessica turns to Wyatt and then runs into his arms. Wyatt has no reaction as she kisses him passionately. Prue is outraged as she looks at it. Tamora holds her arm. Prue looks at Tamora who signs her to calm down.

TAMORA

Jess, it’s not the time for that.

Jessica pulls back. She turns to Prue and smiles. Wyatt also looks at Prue.

JESSICA

I think the hormones are making me horny.

Prue can’t hide her madness.

TAMORA

Well, it’s not the time.

Charlotte and Ella look at Salima.

CHARLOTTE

What’s going on? Why is she wearing normal clothes?

TAMORA

Because she’s free from the lamp.

Salima smiles big.

TAMORA (CONT'D)

Pan is inside the lamp. She made three wishes.

WYATT

What?

AT THAT MOMENT - The demons sent by Alexia SHIMMER in next to the table where the lamp is on. Ella sees them.

ELLA

Guys?

They look at Ella.

ELLA (CONT'D)

We’ve got problems.

Ella points to the demons. They all turn to the demons. One of them reaches out one hand towards the lamp.

CLOSE UP - The demon's arm reaching towards the lamp.

CUT TO:

INT. HALLIWELL MANOR - ATTIC - EVENING

ON THE BOOK OF SHADOWS - Someone is turning page after page.

Chris is in front of the BOS turning page after page. Bianca is next to him. She seems worried and walks back and forward.

BIANCA

I was going to tell you, I swear.

CHRIS

(looks at her)

B!

Bianca stops and turns to Chris.

CHRIS (CONT'D)

We’ll talk about it later, okay?

BIANCA

I just don’t want you to be suspicious of me.

CHRIS

I’m not. I’m married to you. I’ve known you for years. I trust you.

Bianca sighs.

BIANCA

I wish I could remember that.

CHRIS

Don’t make any wishes until we get rid of that genie.

BIANCA

You’re right.

Bianca walks towards him.

BIANCA (CONT'D)

Anything about genies and how to put them back in the bottle in there?

Chris shakes his head.

CHRIS

About genies, there are a few things my mom and my aunts wrote. But nothing about how to get them back into their bottles. Lamps.

OFF TO JUNIOR AND SEBASTIAN - Both of them ORB in.

JUNIOR

We got it.

Bianca and Chris look at them.

SEBASTIAN

There’s an inscription in the lamp, just as Mr. Hassan said. We say it and the genie gets back into the lamp.

CHRIS

Great. What are we waiting for?

SOUND - A loud explosion is heard from downstairs.

BIANCA

That didn’t sound good.

The four of them walk quickly out of the attic.

CUT TO:

INT. HALLIWELL MANOR - CONSERVATORY ROOM - EVENING

ONE OF THE DEMONS flies across the room.

The other demon runs quickly towards the lamp on the table and grabs it.

Across the room, Prue WAVES her hands and hits the demon with TELEKINTIC MOLECULAR COMBUSTION. The demon explodes in mid-air and the lamp falls down the floor and rolls out of the room into the dining room.

CLOSE UP - Lamp rolling into the dining room.

Tamora and Charlotte are taking cover behind the couch while Ella pushes Salima into the living room.

Wyatt is beside Jessica who sees how the lamp rolls out of the room.

OFF TO ALEXIA - She FLAMES into the room.

Jessica makes sure no one is setting an eye on her and leaves the room.

Two more demons SHIMMER beside Alexia.

ALEXIA

Give me the lamp.

WYATT

Never.

ALEXIA

Attack!

The three demons WAVE their hands and create FIREBALLS. They throw them towards them.
Tamora and Charlotte stand and as Charlotte DEFLECTS a FIREBALL towards the owner, Tamora ORBS another back to its owner as well. Wyatt ORBS another FIREBALL to its owner as well. Two of the three demons are hit and blow up. The other one deviates from it.

ALEXIA (CONT'D)

Find me the lamp.

The remained demon walks out of the room into the living room.

CUT TO:

INT. HALLIWELL MANOR - DINING ROOM - EVENING

ON THE LAMP - It’s on the floor.

Jessica comes into the room and spots the lamp right under a chair. She approaches as the demon comes into the room. Jessica and the demon stare at each other.

JESSICA

Not that fast.

Jessica WAVES her hand and creates a FIREBALL.

The demon seems astonished.

JESSICA (CONT'D)

Yeah, I can do this.

She throws it at the demon who blows up. Jessica smiles, then she lowers down and takes the lamp.

CUT TO:

INT. HALLIWELL MANOR - CONSERVATORY ROOM - EVENING

Alexia stands in the middle of the room. Prue and Wyatt in front of her.

PRUE

You were not invited into this house.

Prue WAVES her hand and uses her PYROKINESIS power towards Alexia who DEVIATES it back to Prue. Prue raises her hand in a sensitive form of protecting herself. Wyatt steps in front of Prue.

WYATT

Leave my family alone!

Wyatt WAVES his hands a power sweeps the room, turning everything into ashes, everything, but Alexia. She is THROWN back and falls on the floor.

Wyatt stands there feeling and seeming powerful. Prue looks at the scenario.

OFF TO JESSICA - She watches the scene from out the conservatory room. She is serious. Then turns towards the front door.

OFF TO ELLA - She is peeking into the conservatory room and from the corner of her eye, she notices Jessica’s shadow as she leaves. Ella turns around.

Alexia stands.

ALEXIA

This isn’t over.

Alexia FLAMES out. Wyatt turns to Prue. She sighs. Both of them stare deeply at each other.

CUT TO:

INT. HALLIWELL MANOR - FRONT DOOR - EVENING

Jessica opens the door as Ella comes from the living room.

ELLA

Jess?

BEAT. Jessica is caught. She grimaces. Slowly, she turns around and forces a smile.

ELLA (CONT'D)

Where are you going?

Ella lowers down her gaze towards the lamp in Jessica’s hand.

ON THE LAMP - Jessica holds it strongly.

ELLA (CONT'D)

With that?

Jessica looks down at the lamp, then she looks at seriously Ella.

JESSICA

I was just going to put it into safety.

OFF TO CHRIS, BIANCA, JUNIOR, AND SEBASTIAN - They come downstairs.

CHRIS

What’s going on?

Jessica and Ella keep staring at each other. Ella reaches out her hand towards Jessica.

ELLA

It is safer in here.

Jessica stares at Ella’s hand. Junior and Sebastian walk into the conservatory room while Chris and Bianca stare at Jessica and Ella.

Jessica gives in and hands her the lamp. Ella smiles. Then she turns to Chris and Bianca.

ELLA (CONT'D)

Demons. They came after the lamp. They’re gone now.

(to Bianca)

A Seer. You were right.

Ella looks down at the lamp. Then she walks towards Chris and hands him the lamp.

ELLA (CONT'D)

Pandora and Ethan are inside.

Chris is open-eyed.

CUT TO:

INT. HALLIWELL MANOR - CONSERVATORY ROOM - EVENING

Tamora, Charlotte, and Salima glance around.

TAMORA

I’m so glad aunt Piper is not here to see this.

SEBASTIAN

Demons?

Wyatt and Prue tell Junior and Sebastian what happened. Chris, Bianca, and Ella come in. Chris holds the lamp.

WYATT

And a Seer. At least she dressed like one.

PRUE

She was powerful. She deviated my fire back to me.

Wyatt looks at Prue.

WYATT

I don’t know what I’d do if you ---

Prue touches his forearm.

PRUE

You saved me.

Prue smiles at him.

TAMORA

How the hell are we going to take Pandora out of that bottle?

OFF TO JESSICA - She comes in.

Ella shoots Jessica a suspicious look. Jessica doesn’t notice it.

SALIMA

I think I can help with that.

All of them look at Salima.

CUT TO BLACK.

END OF ACT FOUR

[Prue Brianna Johnna Halliwell]

ACT FIVE

OVER BLACK.

FADE IN:

EXT. SAN FRANCISCO - NIGHT

The town is full of lights.

CUT TO:

INT. MAGIC LAMP - NIGHT

Pandora and Ethan stand glancing up at the lamp’s cover.

PANDORA

It seems like it has stopped.

Ethan looks at her.

ETHAN

What was that? Earthquake?

Pandora looks at him.

PANDORA

It was probably demons trying to get the lamp.

Ethan shoots her a look.

PANDORA (CONT'D)

I just hope they didn’t.

ETHAN

Demons?

Pandora sighs.

PANDORA

I’m sorry to get you into this whole mess.

(walks towards him)

I didn’t want to put you through this again.

ETHAN

Again? I knew something was off, but I never imagined it was this.

(serious)

Witches? White ---

PANDORA

Whitelighters.

ETHAN

I don’t even know what that is.

PANDORA

I promise that as soon as we get out this lamp I’ll tell you everything. Including the reality warp thing.

ETHAN

Reality wrap?

OFF TO THE COVER - Someone opens the lamp. Tamora’s eyes appear.

Pandora and Ethan look up.

TAMORA

We’re are gonna get you out of there.

PANDORA

Great.

Tamora puts the cover back on. Pandora turns to Ethan.

PANDORA (CONT'D)

I’m sorry, Ethan. If after I tell you everything you don’t want to see me anymore, I’ll understand.

ETHAN

Let’s hear what you’ve got to say first.

Pandora half-smiles.

CUT TO:

INT. UNDERWORLD - ARMAND’S CAVE - NIGHT (LATER)

ON ALEXIA - She’s clearly mad. Armand is pacing the room.

ARMAND

They know now.

He looks at her.

ARMAND (CONT'D)

How could you be so stupid?

ALEXIA

Be careful, Armand. We are a team.

Armand walks towards her threatening.

ARMAND

I asked you not to go after the lamp.

Both stare at each other.

ARMAND (CONT'D)

You disobeyed me. That’s not team work.

Alexia looks up into Armand’s eyes.

ALEXIA

You were weak. You could have used the lamp to destroy the Destined Ones and you didn’t.

ARMAND

Wishes, Seer. Genies! You don’t mess with that and that’s not way to get them out of the way. Haven’t you learned anything from the recent history? They are the freaking Destined Ones. Heirs to the Power of Three.

ALEXIA

It was our best chance.

Armand steps back.

ARMAND

It’s not our last.

(smirks)

I have someone in. Someone that might be in our side.

Alexia shoots him a look.

ALEXIA

Who?

ARMAND

That’s for me to know. You just follow my orders from now on.

They stare at each other.

CUT TO:

INT. HALLIWELL MANOR - CONSERVATORY ROOM - NIGHT

Salima stands next to the lamp. Wyatt, Prue, Chris, Bianca, Ella, Junior, Sebastian, Tamora and Charlotte are there. Jessica is on a corner.

TAMORA

(to Salima)

Are you sure?

Salima nods.

SALIMA

I’ve seen the real world and I didn’t like it. If that woman had put hands on the lamp, she’d use it for destruction.

CHRIS

No doubts.

Salima looks at the lamp and then grabs it. She rubs the lamp. A smoke comes out and soon, Pandora and Ethan stand in front of them.

PANDORA

Hi, guys!

Ethan stares astonished to them.

ETHAN

Are we freed of that freaking lamp?

SALIMA

Soon.

(to them all)

Make sure, the lamp is kept safe and away from evil.

They all nod. Salima takes a deep breath.

SALIMA (CONT'D)

I wish to have a peace and quiet life inside my lamp. I wish to become a genie again. I wish for Pandora and Ethan to get back to their normal lives.

Some green smoke surround Pandora, Ethan and Salima. When it disappears, Salima is not there anymore while Pandora and Ethan are back into their normal clothes.

Pandora and Ethan look at each other.

PANDORA

We’re back to normal.

Ethan sighs.

PANDORA (CONT'D)

And we have a lot to talk about.

Ethan nods. Pandora reaches out her hand for him to hold it. Ethan does.

PANDORA (CONT'D)

Let me show you who I am for real.

Pandora ORBS out taking Ethan and almost at the same time Damon SHIMMERS in bringing Melinda. Damon and Melinda glance around.

MELINDA

What do we miss?

The others glances at each other.

CHRIS

A lot.

On a corner, Jessica stare serious at them. Then she turns around and leaves the room.

CUT TO:

INT. PLANE OF NOTHINGNESS - UNKNOWN TIME OF DAY

Jo walks from a side to another. Little Christina and Little Matt are there. Baby Tina and Baby Matt are on the cribs. Little Christina and little Matt stare at each other.

JO

They saw you.

(turns to them)

The two of you.

Christina and Matt nod.

JO

There might be a way to leave this place.

CHRISTINA

There isn’t.

MATT

They forgot about us.

CHRISTINA

When mum didn’t recognized you, the memories of ourselves were gone forever.

JO

(mad)

I can’t accept that.

LORETO (O.S.)

You better do.

All of them turn around and see Loreto there. The Angel of Death stands wearing her black suit staring seriously at them.

JO

You. You took me from my family.

LORETO

I didn’t. You didn’t belong there anymore.

(looks at them all)

None of you.

JO

There must be a way.

LORETO

Better accept that none of you are going back, Jo.

JO

How long has it been?

LORETO

Time is different here. For the others has been months.

CHRISTINA

Our mother, how is she?

LORETO

Doing everything she can to take you back to them.

JO

So she remembers?

LORETO

It is too late.

JO

But she does remembers?

Loreto lowers her glaze.

JO (CONT'D)

Then, yes. There’s a way to leave this place. She’ll find out. You know she will.

LORETO

When someone is brought here, nothing can take that someone back to a plane of existence. No one as ever left this place.

JO

No one was a Warren.

Loreto and Jo stare at each other deeply.

ON JO - A small spark of hope has appeared in her face. Her eyes bright with faith.

CUT TO:

INT. JOHNATHAN'S PENTHOUSE - NIGHT

The reception seems to be ending. People is leaving, the musicians are storing their things.

Johnathan is saying goodbye to the last guests. Cassandra is nearby holding a cup of champagne. She stares at them as the last guest leave. Cassandra has a sip of her champagne. Then she puts the cup on a table and walks towards Johnathan. He turns to her and smiles.

CASSANDRA

I think is time for me to go.

JOHNATHAN

Do you really want to go?

CASSANDRA

I’m the last. You should be whacked after all the greetings.

JOHNATHAN

I just wished for them all to be gone.

Cassandra smiles.

JOHNATHAN (CONT'D)

All of them, but you.

Cassandra smiles fades off her face. Johnathan approaches her.

CASSANDRA

Mr. Hale ---

JOHNATHAN

Johnathan, Cass.

CASSANDRA

We can’t.

JOHNATHAN

Yes, we can.

Their faces are very close to each other. Cassandra closes her eyes as Johnathan joins his lips to her and both share a passionate kiss. He puts his hands on her hips and pulls her close to him.

CUT TO:

INT. HALLIWELL MANOR - LIVING ROOM - NIGHT

Prue is sitting on the couch. She caresses her big belly.

OFF TO ELLA - She comes from the living room.

Ella approaches Prue and sits next to her. Prue looks at Ella.

PRUE

How is it going there?

ELLA

Everything looks like brand new.

PRUE

Great.

ELLA

Junior and Sebastian?

PRUE

We agreed that the best place to hid the lamp was Up There.

ELLA

Great idea. What would they say to Mr. Hassan?

PRUE

Nothing. I created a replica of the lamp. Poor man would possess a worthless lamp.

Ella smiles.

PRUE (CONT'D)

I’m sorry.

Ella looks at her.

PRUE (CONT'D)

I haven’t been much of a friend to you. I’m sorry I am Bianca’s friend and cheer for her and Chris.

Ella smiles.

ELLA

I know you have your reasons.

PRUE

I wish I could tell you. I know you would understand.

ELLA

You know I would, Prue. No matter what. I’m part of the Halliwell coven, right?

Both women smile. Then Ella’s smile fades off.

ELLA (CONT'D)

It might be just me, but today something happened.

Prue stares at her.

ELLA (CONT'D)

When you guys were fighting the Seer, Jessica took the lamp.

Prue gets interested.

ELLA (CONT'D)

She was going to leave with it. She said she was going to take it to a safe place and maybe she was.

PRUE

But you don’t believe her?

ELLA

What place would be more safer than this house full of witches ready to protect the lamp?

Both women stare at each other.

ELLA (CONT'D)

It might be nothing, but ---

PRUE

It is. Thank you.

Ella smiles.

ELLA

Jessica loves Wyatt. She is just willing to save her marriage.

PRUE

She’s having a baby, what is she afraid of?

ELLA

To be honest?

Prue nods.

ELLA (CONT'D)

You. She’s afraid of you. You know how Wyatt looks at you. Even I don’t know how it feels having someone looking at me the way Wyatt looks at you.

PRUE

Wyatt and I ---

ELLA

Don’t say anything, Prue. It would be a lie. Next time, we’ll talk about this, I expect you to tell me the truth. I’m not stupid. Something is going on.

Prue holds Ella’s hand.

PRUE

Thank you.

Ella smiles. Then she stands. Chris, Bianca, Wyatt, Melinda, Damon, Tamora and Charlotte come in.

CHRIS

All settle. We should go home.

ELLA

Indeed. See you tomorrow, guys.

Ella walks out the room. They all stare at her as she leaves. Wyatt approaches Prue and helps her to stand.

WYATT

I’ll take you home.

PRUE

This is my home. You’ll take me to their condo.

Prue points to Chris and Bianca. Chris and Bianca exchange glances.

PRUE (CONT'D)

We should tell her.

TAMORA

Who?

PRUE

Ella. She deserves to know what’s going on.

CHRIS

But Prue ---

PRUE

Think about it.

MELINDA

She’s part of the family. We grew up together.

BIANCA

Would she understand?

PRUE

Maybe. She might be an ally.

DAMON

We should think of it tomorrow.

CHARLOTTE

I second that. I’m tired. Bye, guys.

Charlotte BEAMS out.

TAMORA

Bye, people.

Tamora ORBS out.

CHRIS

(to Bianca)

Are we staying at the condo tonight?

Bianca nods.

BIANCA

I don’t own the main room.

CHRIS

The small one is good for us. I just want to feel a little bit of our home.

Bianca smiles.

PRUE

B?

Bianca looks at Prue.

PRUE (CONT'D)

Breakfast together?

BIANCA

Did we do that back in our real lives?

Prue nods.

BIANCA (CONT'D)

See you tomorrow. And I’ll let you know what and how I know certain things.

DAMON

See you, guys.

Chris ORBS out taking Bianca. Damon turns to Melinda.

DAMON

Time for us to leave.

MELINDA

Sure.

(to Prue)

Will you be fine?

Prue looks at Wyatt.

PRUE

As long as we’re together ---

(looks at Melinda and Damon)

--- I am.

Melinda smiles. Damon SHIMMERS out taking Melinda.

Wyatt puts an arm on Prue’s shoulder.

PRUE (CONT'D)

Will you stay the night with me?

Wyatt kisses her forehead.

WYATT

I will.

Prue looks up at him.

PRUE

What you did back there. When you protected me ---

WYATT

I just did what I had to do.

PRUE

You did more than that.

Prue kisses him.

PRUE (CONT'D)

It turned me on.

Wyatt smiles.

WYATT

Let’s get you home, Mrs. Halliwell.

Prue smiles. Then Wyatt ORBS out taking her.

CUT TO:

INT. MELISSA’S APARTMENT - BEDROOM - NIGHT

Melissa is lying on the bed. She’s reading a book. Junior ORBS in front of the bed.

JUNIOR

Can we take off where we left this morning?

Melissa looks at him and smiles.

MELISSA

Will you leave in the morning the way you did earlier?

JUNIOR

I sincerely hope not.

Melissa puts the book aside.

MELISSA

Good, otherwise I’ll put an anti orbing out spell around this apartment.

Junior smiles and jumps in the bed. They kiss passionately.

CUT TO:

INT. JARED’S APARTMENT - LIVING ROOM - NIGHT

Jared stands by the fireplace. He is serious. Jessica SHIMMERS in behind him.

JARED

You failed.

JESSICA

I tried. If you’d seen it ---

JARED

Stop.

Jared’s voice sounds hard. He turns to her.

JARED (CONT'D)

You could have gotten rid of the witch.

JESSICA

I couldn’t hurt Ella.

JARED

Chris is already with Bianca. It would do no harm if Ella disappeared.

JESSICA

She has been nice to me.

Jared walks towards her.

JARED

I won’t be that nice to you if my plan fails.

JESSICA

It won’t. I’ll give you an heir. And one that will be more powerful that any baby that could come out of my womb.

Jared stares seriously at Jessica.

JESSICA (CONT'D)

I’ll give you a Twice Blessed heiress.

Jared stares at her seriously.

It ---

CUT TO BLACK.

END OF THE EPISODE